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Oscar Isaac

Love Attempts to Infiltrate Horror in 'The Promise'

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – So much of civilization’s story is lost in the mist of “winners write the history,” and even as recently as 100 years ago there are instances of world history that is not generally taught. “The Promise” is set during the World War I period, and has a love triangle in the midst of a little known genocide.

‘X-Men: Apocalypse’ is a Marvel Entertainment Gem


Rating: 4.5/5.0

CHICAGO – In doing “comic book” movies right, Marvel Entertainment has established a formula of decent back stories, complex villainy and probable scenarios. In continuing to tell a history of the second half of the 20th Century in “X-Men Apocalypse,” they also add a historical parallel universe that works.

‘Star Wars: Episode VII - The Force Awakens’ is the One We’ve Been Waiting For

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No Spoilers!) – I felt privileged on Tuesday morning. Not just to be a Chicago film critic, but to be a movie lover. Film critics and movie lovers alike wade through scores of yawners hoping for one or two masterpieces that remind us why we fell in love with the experience of watching a film in the company of people we like. Just in time to close out 2015, we’re met with the rare opportunity to take part in moviemaking magic once more.

There are Future Consequences in ‘Ex Machina’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The title “Ex Machina” is a play on Deus ex machina, the stage/scenario term meaning god from the machine, or the basic happy ending. By cutting out the “Deus” in the phrase, the film is left with just the machine, and the humans.

Jessica Chastain, Oscar Isaac Endure ‘A Most Violent Year’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The effect of violence, centering on the roughest statistical year for it (1981) in New York City history, becomes a flashpoint for the way business has always been done. If someone isn’t intimidating their competitor with lawyers or shady marketing practices, a few hired goons can do the trick. Oscar Isaac takes the beating, both real and metaphorical, in writer/director J.C. Chandor’s “A Most Violent Year.”

Love is Impossible in Alluring Period Horror ‘In Secret’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If stories of Prince Charmings and the liberation from wicked stepmothers are fairy tales, than “In Secret” is the stuff of nightmares, where marriage is not just a prison sentence, but an unlucky life is as well. Based on the novel “Therese Raquin” by Emile Zola as published in 1867, this film’s element of ownership may be considered an artifact in 2014. But thankfully this adaptation earns its own pertinence, as a dark period thriller with real doses of hormonally fueled bad decisions.

‘Inside Llewyn Davis’ Resonates Like Long-Lost Folk Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

Films about musicians are remarkably common. Artists from one medium have always loved to put themselves in the well-worn shoes of craftsmen from another. Most of them are stories of an underrated talent rising to the top of his profession, designed for both audience and filmmaker to live vicariously through the protagonist’s success. “Inside Llewyn Davis,” the latest masterpiece from Joel & Ethan Coen, is not one of those stories.

‘Won’t Back Down’ is an Agenda Disguised as a Film

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There is an interesting trend in the financing of films, actual partisan organizations are fostering their points-of-view through the movies. This is nothing new in documentaries, but now it appears in a fictional film called “Won’t Back Down,” featuring Maggie Gyllenhaal and Viola Davis.

Jeremy Renner Propels Clever ‘The Bourne Legacy’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tony Gilroy’s world of double crosses, super spies, and covert government programs returns in the writer/director’s clever expansion of the world he created as the writer of “The Bourne Identity,” “The Bourne Supremacy,” and “The Bourne Ultimatum.” The Oscar winner doesn’t just offer a traditional sequel, presenting a new leading man and a story that takes place in the same world of international espionage as its predecessors but feels more like a spin-off than a follow-up.

Ryan Gosling Stars in Instant Classic ‘Drive’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Nicholas Winding Refn’s “Drive” is an amazing thriller, a modern examination of heroism filtered through the fairy tale culture of the underbelly of the movie machine that is easily one of the most memorable and effective films of not just this year but the last several.

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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