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A Fashionable Life in ‘The Gospel According to André’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – He’s not a household name, but his influence has affected the closets of those households. André Leon Talley (“ALT”) is a New York City fashionista of the highest order, despite a background that would never predict that fate. But a person in the right place at the right time with the right work ethic can product magical results, and “The Gospel According to André” conjures that journey for Talley.

Armie Hammer Sits for Geoffrey Rush in ‘Final Portrait’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Paris in the 1960s seems to be a place where anything was possible. “Final Portrait” is an indication of this, as Armie Hammer portrays a Mad Men style American critic (what!) in 1964, who sits for a portrait painting by eccentric artist Alberto Giacometti, portrayed with relish by Geoffrey Rush.

Zen and the Art of Cinema in ‘24 Frames’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The legendary Iranian filmmaker Abbas Kiarostami (“Certified Copy”) passed away in 2016, but he left one more meditation on cinema and illusion, in the artistic “24 Frames.” Yes, it refers to the number of still photos that make up a second of film, but in this case it is also Kiarostami’s observations of stillness in motion.

Everything is Beautiful at the Ballet in ‘Leap!’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the rites of passage for most girls in the U.S.(and elsewhere, I presume) is ballet lessons. Usually it lasts for a very short time, but some girls-to-women keep pursuing it, and may even become prima ballerinas. A new animated film named “Leap!” is dedicated to that spirit.

Diane Lane Hits the Blacktop in ‘Paris Can Wait’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The cache of “Paris Can Wait” is what immediately makes it attractive. It’s Diane Lane road tripping through France on the way to Paris, guided by the script and direction of Eleanor Coppola, in her narrative film debut (at age 80!). Along the way there is food, seduction, incredible sights and Alec Baldwin. That formula was destined to work.

Passion of Young French Love Fuels ‘My Golden Days’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Feel like a French film? Well, “My Golden Days” is just the ticket. Full of existential romance, too many cigarettes, casual carnality and pathological regret, the story should come with its own beret and baguette. Rich in detail, and awash in fine European actors, the movie is a perfect anecdote for “American Exceptionalism.”

A Fashionable Man is Captured in ‘Yves Saint Laurent’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Fashion is art, and the canvas is provided by the wearer of that fashion. The designer biography depicted in “Yves Saint Laurent” is one of tortured genius, as Saint Laurent influenced and commodified the world of clothing and accessory creation for over 50 years.

‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

Connection Overcomes Handicaps in ‘The Intouchables’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the big movie hits in French cinema last year, “The Intouchables,” comes to our shores with a powerful and unusual redemption tale. The true story of a wealthy but quadriplegic man, and his poor but proud caregiver is the subject of a very compelling relationship.

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