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Paul Feig

Amy Schumer, Goldie Hawn Bring Hilarity to ‘Snatched’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – This is the Amy Schumer-in-the-movies we’ve all been waiting for… the brash zing factory who has a bit of insecurity behind her adventurous and licentious ways. Schumer teams with Goldie Hawn in a mother and daughter laugh factory called “Snatched.”

‘Ghostbusters’ Entertains, But Lacks the Paul Feig Edge

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Fresh Blast of Funny From Melissa McCarthy in ‘Spy’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It can be argued that Melissa McCarthy, with a film a year and a TV sitcom still running, is topping out on exposure. But as long as she teams with writer/director Paul Feig, as she did on “Bridesmaids” and “The Heat,” she will continue to be an original comic force. Their latest is “Spy.”

Melissa McCarthy, Sandra Bullock Fuel ‘The Heat’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – An incredibly talented ensemble elevates a pretty pedestrian script in the just-funny-enough “The Heat,” a movie that gets better as it goes along, largely because its two mega-talented stars carry it over some mediocre patches of writing. Melissa McCarthy and Sandra Bullock simply have unimpeachable comic timing.

Kristen Wiig Carries Charming Comedy of ‘Bridesmaids’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – With an incredibly talented ensemble, heartfelt script, and honest characterizations, “Bridesmaids” has been touted as a revolutionary re-examination of what one should expect from the phrase “chick flick.” Having never been much of a fan of genre labels, the idea that this film should be judged differently because it has female stars irks me a bit, but if that gets more people into theatre seats and away from the junk that typically qualifies as “entertainment for women,” I’ll happily embrace it. For whatever reason you see it, the most important thing to know is this simple – “Bridesmaids” is funny. Damn funny.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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