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Paul Reiser

Despite One Premise, Laughs Are Plenty in ‘The Little Hours’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It occurred to me in assessing “The Little Hours” that the basic premise is somewhat like “The Beguiled” – a man is taken in, rooster-like, into a henhouse where there are women with “needs.” Except this time, instead of a girl’s boarding school, it is a 14th Century nunnery. Get thee to it, if thou wants to laugheth.

‘Concussion’ Can’t Quite Tackle its Difficult Subject

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

‘Whiplash’ Finds a Big Rhythm, Gives it a Backbeat

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When is the last time you had a bit of sweat after coming out of a movie? “Whiplash” will do that, and it contains not one action sequence or superhero, unless you consider J.K. Simmons as a sociopathic music guru a hero (he is in a way), and drumming as action (it is).

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box. Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

  • I'm Dying Up Here

    CHICAGO – One of the great new premium channel TV series, which piggybacked on the “Twin Peaks” return on the Showtime Network, is “I’m Dying Up Here.” Set in the 1970s, it tells the stories of fictional stand up comedians in Los Angeles, and one of the Consulting Producers and series writers is Cindy Caponera.

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