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Riley Keough

‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

‘American Honey’ is a New National Anthem for All of Us

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The America we find ourselves in today would never have been imagined by our ancestors. Sure, we don’t have flying cars or robotic house servants but we do have different ways of life. “American Honey” shows the sweet and sour side of my generation’s new American Dream while keeping it infinitely relatable to everyone.

An Adrenaline Junkie’s Dream, ‘Mad Max: Fury Road’ a Badass Bass Haven

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It’s “the greatest action movie ever made,” so says the television commercials (which means it’s true). And it’s buoyed by other quotables galore including “what a lovely day!,” “from mastermind George Miller,” “pulse pounding,” “heart wrenching” and “teeth grinding”. While these words are actually true, though, the film doesn’t need them to sell it.

‘Mad Max: Fury Road’ is All Kinds of Awesome

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While “Mad Max: Fury Road” isn’t quite in the same league as director George Miller’s masterpiece “The Road Warrior,” it’s learned all the right lessons from that action classic. It’s a cinematic adrenaline machine that puts the pedal to the metal and rarely lets up.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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