Robert Rodriguez

The James Cameron Touch Creates ‘Alita: Battle Angel’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The creation of new worlds has always been a mainstay of the cinema, virtually since it was invented. And whether you love or are indifferent to the films of James Cameron (“Titanic”), he remains one of the prime movers in advancing the creative tools of films. His influence is all over “Alita: Battle Angel.”

More Risqué ‘Sin City: A Dame to Kill For’ Doesn’t Dare to Trailblaze Again

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sex sells, sure, but the film-noir sequel “Sin City: A Dame to Kill For” makes you feel dirty if you’re left thinking that’s enough.

Nine years since the visually groundbreaking, avant-garde hit “Sin City,” Frank Miller and Robert Rodriguez’s biggest mistake with their next incarnation is replacing the first film’s bloodthirsty impact with too much nudity.

‘Sin City: A Dame to Kill For’ Breaks No New Ground

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When the first “Sin City” (2005) was released – based on the graphic novels by Frank Miller – the conversion of a film to a noir-like comic book atmosphere was pioneering. The sequel “Sin City: A Dame to Kill For” has heightened that look, but this time has much less to say.

‘Machete Kills’ So Over the Top, it Has No Bottom

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – You gotta love director Robert Rodriguez. When other filmmakers are slogging through their important films, he’s out convincing big stars to blow off cinematic fireworks, giggling all the time. The excess is the thing, more so and more so, in his new film “Machete Kills.”

Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?

Adrien Brody’s ‘Predators’ Unmemorably Lulls Through the Expected Motions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Good films deliver on their promise. Great films up the ante even more. In this version of the long “Predators” franchise from director Nimrod Antal (“Control,” “Armored,” “Vacancy”) and more-known producer Robert Rodriguez (“Grindhouse,” “Sin City”), we merely see more of the same: just enough to get us by but not nearly enough to make us care.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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