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Sanaa Lathan

Gunplay & Violence Fuel Heroics in ‘American Assassin’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There was another mass shooting (eight dead) in Texas this week, but it was underreported because it didn’t involve “undesirables” and just seemed like another week in America. This blithe attitude towards guns, gunplay and violence continues in the movies, this week with the overindulgent release “American Assassin.”

The Gang Happily Reunites in ‘The Best Man Holiday’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Like a black “Big Chill,” the gang from the 1999 essential film “The Best Man” reunite to see old friends, celebrate the season, open old wounds and bury the past in a surprisingly serious yet emotionally spiritual sequel “The Best Man Holiday.”

Steven Soderbergh’s Riveting ‘Contagion’ With Matt Damon

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – A few weeks ago saw the release of the R-rated “Don’t Be Afraid of the Dark,” a gore-free creature feature that was given the MPAA stamp of 17-plus due to “pervasive scariness.” This week sees the PG-13-rated “Contagion,” a film SO much more pervasively scary than the movie about goblins in a distant mansion because, well, it’s about the fact that the world is pervasively scary.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

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