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Shakespeare

Strong Performance Makes ‘Lady Macbeth’ a Cogent Character Study

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Separating a performance from the rest of the film is usually an easy task. One may be stronger than the other, or vice versa, but either way, they can be judged individually and as a whole. “Lady Macbeth” proves to be that rare character study where a single performance (from breakout actress Florence Pugh) not only makes the film but essentially is the film.

Magic of Orson Welles Rings the ‘Chimes at Midnight’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Another wondrous pleasure about director Orson Welles – as if he needed something else on his resume – is the discovery of his film career after the “Citizen Kane”/studio system/boy wonder period of the 1940s. Facing difficulties cobbling together financing for his evolving vision, he resorted to overseas money, international casts and more-for-less. One of the prime examples is “Chimes at Midnight” (1965), a Shakespeare amalgamation that is just another example of Wellesian audacity and yes, genius.

Kevin Spacey on Power of ‘NOW: In the Wings on a World Stage’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Hi-diddle-dee-dee, the actor’s life for me!” Kevin Spacey, who took a considerable break from movie-acting to become Artistic Director of the Old Vic Theater in London, puts the fruit of those labors in a new documentary, “NOW: In the Wings on a World Stage.” The film chronicles the international tour of Spacey and the troupe performing William Shakespeare’s “Richard III.”

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