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‘Rough Night’ is More Than Just a Diamond in the Rough

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The idiotic notion in Hollywood (and in the basements of fanboy mothers everywhere) that women can’t be funny is a joke in itself. Women have been forced to prove themselves on the male-dominated comedic circuit and have come out as successful as their male counterparts. “Rough Night”, despite all of its flaws, is just the most recent example of that.

‘Smurfs: The Lost Village’ Should Have Remained Undiscovered

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – There are only a few times that I have left a film mentally shouting, “Won’t someone think of the children?” Not through some self-righteous religious fit, of course, but through a general concern for the animated films created for our young. “Smurfs: The Lost Village” is either made for a specific crowd in mind or made for a crowd without a mind.

‘T2 Trainspotting’ is a Nostalgic Trip That Stays on the Rails

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Sequels are the bane of film’s existence. They tend to end with unresolved plotlines in an attempt to promote the need for another film. Disappointing film franchises have been built this way, but Danny Boyle is the last person I would have expected this from. “T2 Trainspotting” is the sequel to “Trainspotting” that we never wanted but are surprisingly happy to have.

The Book (Finally) Closes on ‘Resident Evil: The Final Chapter’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Guilty pleasures are the order of the day, especially when we are facing daily signs of a real, impending apocalypse. End of the world by zombies remains one of the most popular cataclysmic cinematic events and “Resident Evil” is proof. “Resident Evil: The Final Chapter” proves that what should be dead can come back to life, but the real question is if it actually should.

‘Inferno’ Was Damned From The Start

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.

Instead of Geeky Greatness, Adam Sandler Sucks the Soul Out of a Badly Miscast ‘Pixels’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The epitome of an idea that far outweighs its execution, “Pixels” is a bittersweet blunder that had all of the elements to be geeky great but ends up being cheesy mediocre. I could literally feel its potential for 105 minutes, but the $88 million film ultimately fails to realize it.

Kevin James Displays Heart in ‘Here Comes the Boom’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Seeing the words “Happy Madison Production” on any film means a broad, unfunny and formulaic comedy is about to emerge – usually with company founder Adam Sandler. Although “Here Comes the Boom” has some of those dulling elements, it’s Kevin James who is sincere and motivated as a cage match fighter.

Julia Roberts Learns How to ‘Eat Pray Love’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Despite its flaws, the often-beautiful “Eat Pray Love,” starring Julia Roberts, works because it refuses to talk down to its audience. This is the rare “chick flick” that treats its demographic with respect, never becoming the sentimental or manipulative dreck that so many other filmmakers would have delivered from Elizabeth Gilbert’s bestselling memoirs.

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  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

  • They're Playing Our Song

    CHICAGO – During the late disco era of the 1970s, an unusual musical opened on Broadway. Essentially a two person stage play, “They’re Playing Our Song” involved a songwriter and a lyricist who develop a stronger connection than just writing partners. The always passionate Brown Paper Box Co. of Chicago has unearthed this chestnut with a bright and fun revival at the Rivendell Theatre through August 20th, 2017.

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