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The Book (Finally) Closes on ‘Resident Evil: The Final Chapter’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Guilty pleasures are the order of the day, especially when we are facing daily signs of a real, impending apocalypse. End of the world by zombies remains one of the most popular cataclysmic cinematic events and “Resident Evil” is proof. “Resident Evil: The Final Chapter” proves that what should be dead can come back to life, but the real question is if it actually should.

‘Inferno’ Was Damned From The Start

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.

Instead of Geeky Greatness, Adam Sandler Sucks the Soul Out of a Badly Miscast ‘Pixels’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The epitome of an idea that far outweighs its execution, “Pixels” is a bittersweet blunder that had all of the elements to be geeky great but ends up being cheesy mediocre. I could literally feel its potential for 105 minutes, but the $88 million film ultimately fails to realize it.

Kevin James Displays Heart in ‘Here Comes the Boom’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Seeing the words “Happy Madison Production” on any film means a broad, unfunny and formulaic comedy is about to emerge – usually with company founder Adam Sandler. Although “Here Comes the Boom” has some of those dulling elements, it’s Kevin James who is sincere and motivated as a cage match fighter.

Julia Roberts Learns How to ‘Eat Pray Love’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Despite its flaws, the often-beautiful “Eat Pray Love,” starring Julia Roberts, works because it refuses to talk down to its audience. This is the rare “chick flick” that treats its demographic with respect, never becoming the sentimental or manipulative dreck that so many other filmmakers would have delivered from Elizabeth Gilbert’s bestselling memoirs.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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