CHICAGO – In the history of “Reality TV” there has been periods of up-and-down popularity, shows that have been around seemingly forever (“Big Brother,” “Amazing Race”) and spinoffs to new styles like “documentary series” as networks like the National Geographic Channel emerged. In all those permutations, producer Stephanie Buxbaum has experienced it all, and has the career and stories to prove it.
Stephen Merchant
Story Spins Out of Reach for ‘The Girl in the Spider’s Web’
Submitted by PatrickMcD on November 9, 2018 - 4:26pm- Claes Bang
- Claire Foy
- Columbia Pictures
- Fede Alvarez
- HollywoodChicago.com Content
- LaKeith Stanfield
- Lisbeth Salander
- Movie Review
- Patrick McDonald
- Rooney Mara
- Steig Larsson
- Stephen Merchant
- Stockholm
- Sverrir Gudnason
- Sylvia Hooks
- The Girl in the Spider’s Web
- The Girl With the Dragon Tattoo
- Vicky Krieps
 Rating: 2.5/5.0 |
CHICAGO – There is nothing wrong with revisiting The Girl with the Dragon Tattoo. That tattoo has made beaucoup bucks in book and film forms (both foreign language and Americanized versions), and Claire Foy taking over for Rooney Mara in the title role is seamless. So why the totally lackluster story? Is this a narrative source problem?
As Comedy, ‘Table 19’ Only Serves Hor d’Oeuvres
Submitted by PatrickMcD on March 4, 2017 - 6:37amRating: 2.5/5.0 |
CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.
‘Logan’ Bares Its Sharp Claws & Eviscerates Us Emotionally
Submitted by JonHC on March 2, 2017 - 3:46am Rating: 4.5/5.0 |
CHICAGO – There is a war raging in the comic book cinematic universe where filmmakers think that these kinds of films should embrace their over the top (verging on campy) nature while others think they should be darker and made deathly serious. “Logan” proves that they are both wrong as it strikes a balance between all of those elements while remaining true to the character.
