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Tony Revolori

As Comedy, ‘Table 19’ Only Serves Hor d’Oeuvres

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.

Alternate American Dream Played Out in ‘Dope’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If you’re lucky enough, you’ll never know what it’s like to grow up in a poor American neighborhood. But what if the notions of such societies are flipped on its ear, and what if the message draws attention to our current perceptions of race? This is what the new film “Dope” conveys.

‘The Grand Budapest Hotel’ is Built by Wes Anderson

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The distinct and strangely-alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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