Vera Farmiga

‘The Commuter’ is a Fun, Butt-Kicking Good Time

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Sometimes you’re just in the mood for a good old Liam Neeson ass-kicker… and “The Commuter” fits that bill. It asks, damn near requires, you to leave your brain safely at the station, but it moves too fast that you don’t have much time to think about it. It’s ludicrous, dumb and fun entertainment for January.

Inauthentic ‘The Judge’ Guilty of a Stale Confrontation

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Here comes “The Judge,” here comes “The Judge.” That 1960s catchphrase gets new meaning in the film featuring Robert Downey Jr. and veteran Robert Duvall, in a angry generational face-off that makes little sense and provides a stiff courtroom drama that felt like bad TV.

‘At Middleton’ Never Reaches Its Star Power Potential

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Since the world has been clamoring for a film about high school seniors touring a liberal arts college, “At Middleton” fills the bill, and throws in a symbolic midlife liaison between characters portrayed by Andy Garcia and Vera Farmiga, tripping across their own “life campus.”

Effective ‘The Conjuring’ Captures the Sum of All Fears

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – True scary movies have a couple of things going for them – the source of the scare and the psychology of the scare. The source provides the “boo,” the audience provides the interactive psychology. “The Conjuring” is a true scary movie.

Denzel Washington Lives in Boring ‘Safe House’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over. It’s cinematic fast food – relatively streamlined but also not difficult to make for anyone involved, generally bad for you, and totally forgettable. It’s all so, well, “Safe.”

Vera Farmiga Wrestles Religion in ‘Higher Ground’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The subject of religion in America is rarely portrayed honestly in the movies, with its power to both inspire or offend. Vera Farmiga makes her directorial debut and plays the lead character in the religious-themed “Higher Ground.”

Keanu Reeves Sleepwalks Through ‘Henry’s Crime’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Keanu Reeves is the sort of actor who succeeds in spite of himself. His best work remains in the late ’80s and early ’90s, when he specialized in playing hazy-brained man-children, the best of which may have been Tod Higgins, the goofy race car driver in Ron Howard’s timeless 1989 comedy, “Parenthood.” Reeves transcended the silliness of his character with a performance of disarming warmth.

Jake Gyllenhaal, Michelle Monaghan Star in Thrilling ‘Source Code’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Duncan Jones announced his arrival on the sci-fi scene with such authority with the excellent “Moon” that genre fans were naturally concerned about a sophomore slump. Worry no more. “Source Code” may first feel like a more traditional thriller but it’s clearly cut from the same cloth as “Moon” in that it takes the impossible and makes it human, even spiritual. Like the best sci-fi, “Source Code” is both entertaining and thought-provoking. It’s a great slice of entertainment that you’ll want to relive as soon as it’s done playing.

Oscar-Worthy ‘Up in the Air’ Gels With Shrewd Script, Fresh Faces, Unpredicted Realism

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Director Jason Reitman is becoming like a fine wine. He’s maturing with age, tasting newer with each sip and leaving an aftertaste that makes you think you’ll savor what’s next.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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