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Vincent D’Onofrio

Vigilante Overkill Defines Ultra-Violent ‘Death Wish’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Man, talk about bad timing. With the Stoneman Douglas shootings still making news, America will now entertain itself with a vigilante doctor shooting anything he sees? Yeesh. Bruce Willis is game in the watchable-but-ultra-violent “Death Wish.”

‘The Magnificent Seven’ is How the Western Was Lost

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The appeal of Westerns was mostly lost on me when I was younger. The tales of these hypermasculine wanderers, answering every problem with a gun, never appealed to me. When I got older, I discovered their messages of honor and self-defense against corruption. The genre proved it could be more than one-liners and shootouts, but “The Magnificent Seven” set out to be only that.

Inauthentic ‘The Judge’ Guilty of a Stale Confrontation

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Here comes “The Judge,” here comes “The Judge.” That 1960s catchphrase gets new meaning in the film featuring Robert Downey Jr. and veteran Robert Duvall, in a angry generational face-off that makes little sense and provides a stiff courtroom drama that felt like bad TV.

Two Old Dogs Prove Very Entertaining in ‘Escape Plan’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Great action movies have one truth in common – they mix their face-offs with a psychological battle, which complements the pyrotechnics of invincible super humans. “Escape Plan,” with grizzled veterans Sylvester Stallone and Arnold Schwarzenegger, is true to that form.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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