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Viola Davis

Denzel Washington & Viola Davis Swing for the ‘Fences’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Viola Davis and Denzel Washington are actors who are likely to give plays adapted for the screen a good name. Their commitment to the material shines through in the new film “Fences.” Davis and Washington have a well worn familiarity with the characters –having portrayed them on Broadway in the 2010 revival of August Wilson’s Pulitzer Prize winning play.

Freaky Villains is Where ‘Suicide Squad’ Works Best

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGODC Entertainment, feeling the heat from Marvel Studios and the tepid response from “Batman v Superman,” comes back stronger with “Suicide Squad,” an overblown yet psychological comic book film about sociopathic villains who somehow have to save the world.

Hacker Thriller ‘Blackhat’ Has a Finger on the Enter Key

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A speedy film project can take about a year from conception to final cut; director Michael Mann’s wired-in thriller “Blackhat” might as well have been written, shot, and cut last month. Not just because of its epilogue to the rise and defeat of the Guardians of Peace, but for its modernity. This is a tale of headline action specifically for January 16, 2015 and onward, in our new period of cyber terror.

Lives Interact in ‘The Disappearance of Eleanor Rigby: Them’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There was something blank within “The Disappearance of Eleanor Rigby: Them,” although it dealt with the issues of loss, family and reconciliation. The all star cast, including Jessica Chastain, James McAvoy and William Hurt, add their performing spins to the story.

James Brown Bio ‘Get On Up’ Stuck in a Funk

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – “Get On Up” contains one dynamite performance trapped in a frustratingly mediocre movie. James Brown’s life and music offer a wealth of material to work with, but that doesn’t necessarily adhere to the conventions of a formulaic musical biopic.

‘Ender’s Game’ Loses Personality in Journey From Book to Film

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.

Jake Gyllenhaal, Hugh Jackman Enter Darkness of ‘Prisoners’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – What would you do if your child was in jeopardy? We all love to answer quickly and instinctually that we would do absolutely anything but the fact is that we’re incredibly lucky to never be put in that situation. Would you torture someone else? What if you weren’t sure they were responsible?

Uneven ‘Beautiful Creatures’ Still Casts Spells

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The young adult horror/romance genre is running out of themes, could somebody please come up with a hunky Frankenstein monster? “Beautiful Creatures” uses witches as it’s premise, and features newcomers Alice Englert and Aiden Ehrenreich as the spell-crossed lovers.

‘Won’t Back Down’ is an Agenda Disguised as a Film

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There is an interesting trend in the financing of films, actual partisan organizations are fostering their points-of-view through the movies. This is nothing new in documentaries, but now it appears in a fictional film called “Won’t Back Down,” featuring Maggie Gyllenhaal and Viola Davis.

All Intention, No Delivery in ‘Extremely Loud and Incredibly Close’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The September 11th tragedy is still percolating through the cinematic filter, and there is a well intentioned thread throughout the various interpretations. But the latest attempt, “Extremely Loud and Incredibly Close,” stretches this intention too far, despite a cast featuring Tom Hanks and Sandra Bullock.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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