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HollywoodChicago.com Movie Reviews

‘Rendition’ a Mediocre Message Movie With What Should Be Self-Evident Politics

HollywoodChicago.com Oscarman rating: 3/5AUSTIN, Texas – German writer Franz Kafka meets the war on terror in “Rendition,” which is a message movie with what one would consider a self-evident message: torture is bad. We live in a political climate, though, where that isn’t self-evident.

In ‘Gone Baby Gone’ Directorial Debut, Ben Affleck Matures Into Polished Auteur

Rating: 4.5/5CHICAGO – It wasn’t that long ago when Ben Affleck was an unknown. Fortune eventually smiled upon him and along came quality performances in independents and an Academy Award for screenwriting.

‘Juno’ the First LiveJournal, Blogger Film; Writer Diablo Cody a Standout Star

HollywoodChicago.com Oscarman rating: 4.5/5AUSTIN, Texas – No one says anything plainly in “Juno”. Hyper clever, hyper literate and hyper pop savvy, it tells a light story of teenage pregnancy in a package of verbose middle classiness.

Jodie Foster is Wicked, Wicked Witch With Furious Vengeance in ‘The Brave One’

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – Jodie Foster reinvents herself and plays a vigilante flung galaxies out of character in “The Brave One,” which opened on Friday.

Following ‘The Sandlot’ Home Run, ‘The Final Season’ Strikes Out

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – Once a year, it seems a studio releases a film that tries to nudge its way into the almost-holy canon of American sports cinema. Most years, studios succeed. Recently, we have been lucky with the caliber of sports films offered up to us.

‘The Darjeeling Limited’ Seesaws Between Deft, Forced Eccentricity

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – With his aloof character panache and colorful imagery, Wes Anderson is one of those directors you either love dearly or loathe dreadfully.

Tan-Skinned ‘Sydney White’ Tragically Lacks Charisma of Fair-Skinned ‘Snow White’

HollywoodChicago.com Oscarman rating: 1/5CHICAGO – I recently tagged “Illegal Tender” as the must-miss movie of the year. I stand corrected. That unconquerable 2007 cake now goes to “Sydney White,” which opened on Friday.

‘Resident Evil: Extinction’ Screams Readiness For Franchise Extinction

HollywoodChicago.com Oscarman rating: 1/5AUSTIN, Texas – “Resident Evil: Extinction,” which opens on Friday and to the dismay of many critics didn’t screen across the U.S., is yet another cineplex excursion that’s beneath conte

Despite Poehler’s Wit, ‘Mr. Woodcock’ Underwhelms With Wasted Thornton, Sarandon Talent

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – Just from eyeing the “Mr. Woodcock” movie poster, you could suspect exactly what the movie will be. Just 90 minutes later, your suspicions would be confirmed.

Despite Daring Genre, ‘3:10 to Yuma’ Packs Powerhouse Acting With Fragmentary Story

HollywoodChicago.com Oscarman rating: 3/5CHICAGO – Had you asked me to tag “3:10 to Yuma” before I screened it, you’d think me a bumbling idiot because I had absolutely no clue what to expect.

Slapstick in ‘The Brothers Solomon’ Dumber Than ‘Dumb & Dumber’

HollywoodChicago.com Oscarman rating: 2/5CHICAGO – With 2007 films like “Knocked Up” and “Superbad,” the smart and embarrassingly truthful geek comedies are the current wave of humor in America.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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