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HollywoodChicago.com Movie Reviews

Boston is Strong Again in Reliable ‘Patriots Day’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In the context of history, and the way information is consumed these days, the Boston Marathon Bombing in 2013 seems both like yesterday and a long time ago. Director Peter Berg’s “Patriots Day” is the first film account of that horrid week, and features Mark Wahlberg.

Ben Affleck Shoots Nothing But Blanks in ‘Live by Night’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Movies released in the first weeks of January are invariably either awards hopefuls trying to gain momentum or studio dreck being buried in the dead of winter, and quickly forgotten by Valentine’s Day. “Live By Night” aspires to be the former, but ends up being the latter.

‘Silence’ is an Overwrought View of Religious Faith

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For gosh sakes, someone call the Vatican and make Marty Scorsese an honorary priest. He is overtly fascinated – in this work and his other films – with the notion of religious faith, particular within his Catholic roots. He approaches the subject again in the intense “Silence.”

Fantasy & Feelings Comingle in ‘A Monster Calls’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The nature of dying, especially in process with a close loved one, is a testing ground for unwieldy and alien emotions. When, why and how we’re challenged does not have a timetable, nor a convenience. All of this is played out as fantasy in the vital “A Monster Calls.”

‘Neruda’ Turns the Biography Film Into Fine Art

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “In me nothing is extinguished or forgotten…” is a single line from a poem by Pablo Neruda (“If You Forget Me”), and succinctly describes the film tribute to him, written by Neruda’s fellow Chilean countryman Guillermo Calderón, and directed with grace by another Chilean, Pablo Larrain.

‘Lion’ Can’t Quite Tame Audience’s Hearts

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Lion” is the kind of inspirational-triumph-over-insurmountable-odds and adversity stories that’s bound to appeal to grandmothers and Academy voters, and it does offer plenty of material to tug at the heartstrings. But it’s a movie that only gets the job half done, and unfortunately loses its way once Nicole Kidman comes into the picture.

‘Assassin’s Creed’ Has Odd Breeding for a Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’m not a gamer, but of course I’ve heard about “Assassin’s Creed.” The film based on the video game is a wild and undisciplined attempt to expand that particular universe, but does succeed in creating an oddball science fiction that has implications in geo-religious power and control.

Brainiac Fulfillment is the Key to ‘Hidden Figures’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In America, there is the history we have, and the history that we want to have happened. “Hidden Figures” falls into the second category, but it’s presented in such a way that it fulfills the goal – tell an amazing story about a group of African American women who helped launch men into space.

Story Can’t Match Eye-Popping Visuals of ‘Passengers’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The use of science fiction for all kind of stories is one of the hottest go-to genres for Hollywood today. “Passengers” is a love story, and adds the visual glory of modern special effects…but the soapy tale of a star-crossed (literally) couple is problematic and cliché ridden, and breaks at the end with heroics that are shoehorned into the rest of the scenario.

Denzel Washington & Viola Davis Swing for the ‘Fences’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Viola Davis and Denzel Washington are actors who are likely to give plays adapted for the screen a good name. Their commitment to the material shines through in the new film “Fences.” Davis and Washington have a well worn familiarity with the characters –having portrayed them on Broadway in the 2010 revival of August Wilson’s Pulitzer Prize winning play.

Despite Cast, ‘Sing’ Fails to Strike a Chord

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Singing is something that everyone can do. I tend to do it while in the shower or sitting in traffic. I’ve been told I have the singing voice of an angel… of death. Okay, I’m exaggerating, but the point is that while everyone can sing, not everyone should. The same extends to creating films like “Sing,” which is loud but seldom harmonious.

There is Little Beauty to Be Found in ‘Collateral Beauty’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Charles Dickens once said, “Reflect upon your present blessings — of which every man has many — not on your past misfortunes, of which all men have some.” Seeing the trailer for “Collateral Beauty,” it’s obvious this is the theme of the film, but it is also the theme of this review. My “blessing” to you is the foresight not to waste your time with this film.

‘La La Land’ Will Create Love for Musicals Again

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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