CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
HollywoodChicago.com Theater Reviews & Interviews
CHICAGO – The power of creativity, and the risk of live theater, is all on display through Nothing Without a Company’s latest amazing journey, “Down the Moonlit Path.” The interactive stage experience refreshes the soul and realizes the joy of life.
Theatre Review: Hans Christian Andersen’s ‘The Princess and the Pea’ Gets Modern Makeover at The MarriottSubmitted by HollywoodChicago.com on March 14, 2015 - 10:42pm
CHICAGO – Merging old-fashioned chivalry with modern-day TV screens, The Marriott Theatre for Young Audiences is currently staging a smile-inducing, family friendly reimagining of Hans Christian Andersen’s beloved fairy tale “The Princess and the Pea”.
CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.
CHICAGO – Need a break from the noise of the holidays? Step Up Productions, – in residence at Chicago Dramatists Theater – present “HoliDaze,” a collection of six one-act plays, all dealing with the nature and nurture of the season. The showcase runs through December 21st, 2014.
CHICAGO – Some people spend the rest of their lives trying to compensate for slights felt in high school – that social jungle is staged in “Carrie: The Musical.” Based on Stephen King’s novel, the story of Carrie White is presented as an adversarial tale by Bailiwick Chicago at Victory Gardens Theater.
CHICAGO – At intermission, I remarked to a fellow theater patron that the musical “Hair,” presented by the American Theater Company (ATC) of Chicago, still has a solid impact. His logical reply, “it’s hard to mess this one up.” The ATC does the classic hippie musical proud, with a raucous rendition.
CHICAGO – The many sides of the mega film legend Marilyn Monroe was like a prism in an ever-changing kaleidoscope. Yet somehow actor and playwright Amber Hargroder was able to capture Monroe’s essence in a one woman show.
CHICAGO – There are few civil rights events shrouded in mystery like the Stonewall Inn Riots – a June night in 1969 in New York City, when gay liberation was born. Witnesses and participants in the riots have grown exponentially over the years (“I was there.”) and the who, what and how the riots began have also been in dispute as time goes by. All of that perspective is realized in Ike Holter’s incendiary stage play “Hit the Wall,” presented by the Chicago Commercial Collective at the Greenhouse Theater in Chicago.
CHICAGO – Insanity is often a shared phenomenon. One family member can drive another family member over the brink, an incident can break collective spirits and indulgence in religion can alter perspectives. All the bleak darkness of these mental incapacities are on display in the Midwest Premiere of the UrbanTheater Company stage production of “Devil Land.”
CHICAGO – The epic Russian novel by Fyodor Dostoyevsky, “Crime and Punishment,” gets a condensing by Mary-Arrchie Theatre Company, as the morality in the book is rendered into a palatable 95 minute stage version, directed by theatre founder and Artistic Director Richard Cotovsky.
CHICAGO – It’s “Cabaret” for god’s sake. It’s not “Bambi”. You’re supposed to need to leave the kids at home watching their own Disney flick. You don’t go to McDonald’s to eat healthy just like you don’t go to “Cabaret” for good clean fun.