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Elizabeth Stanley Lifts ‘Xanadu’ to Place Where Nobody Dared to Go

Max Von Essen in the Broadway hit Xanadu in Chicago
HollywoodChicago.com Comedy/Tragedy Rating: 4.0/5.0
Play Rating: 4.0/5.0

CHICAGO – If classics such as “A Chorus Line” and “Les Miserables” willfully suggest the existence of a secured, calculated recipe for a Broadway hit, Christopher Ashley’s “Xanadu” is a concoction that has once again gleefully tipped over this admittedly elusive boiling pot.

Maybe, Baby, Buddy Has Found New Groove in Chicago’s ‘Buddy: The Buddy Holly Story’

Justin Berkobien in the Chicago musical Buddy: The Buddy Holly Story
HollywoodChicago.com Comedy/Tragedy Rating: 3.5/5.0
Play Rating: 3.5/5.0

CHICAGO – “Wow! I feel like I’m at a rock concert!” “Me too. It’s like I want to rush the stage!”

While overhearing this conversation between two young women at the recent Chicago opening of “Buddy: The Buddy Holly Story,” I realized there were no better words to sum up Drury Lane’s recent jukebox-blaring, toe-tapping homage to one of the greatest rock and rollers of all time.

Route 66’s ‘On an Average Day’ Brings the House Down at Chicago’s Victory Gardens

Stef Tovar and Johnny Clark star in On an Average Day at the Victory Gardens Greenhouse Theater
HollywoodChicago.com Comedy/Tragedy Rating: 4.5/5.0
Play Rating: 4.5/5.0

CHICAGO – Chicago theatre often surprises its audiences in the notorious fizzling summer months by providing us what I like to call “Christmas in July”. In this case, though, it’s August and Santa has hopped onto Route 66.

Chicago Shakespeare Theater’s ‘Willy Wonka’ Sure to Satisfy Your Child’s Sweet Spot

Sean Fortunato as Willy Wonka in the Chicago Shakespeare Theater's Willy Wonka
HollywoodChicago.com Comedy/Tragedy Rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Ah, it’s summer again. Kids in Chicago are playing in the Millennium Park fountains, teenagers are flooding in to see the latest cinema blockbusters and families are enjoying Lake Michigan’s beaches.

‘Lookingglass Alice’ a Proud Chicago Work of Jibber Jabber, Nonsensical Wonderment

Lauren Hirte (left) as Alice and Lawrence E. Distasi as Lewis Carroll in Lookingglass Alice
HollywoodChicago.com Comedy/Tragedy Rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – On the fourth of July in 1862, Charles Lutwidge Dodgson rowed a boat up the River Thames with 10-year-old Alice Liddell. Alice was the daughter of the new dean of Christ Church where Dodgson was employed as a lecturer in mathematics.

Chicago’s Goodman Theatre Sings Lively New Tune With Fats Waller’s ‘Ain’t Misbehavin’’

Ain't Misbehavin' is based on an idea by Murray Horowitz and Richard Maltby Jr. with music by Fats Waller
HollywoodChicago.com Comedy/Tragedy Rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If you were to visit Harlem in the 1920s, you might have found yourself in a nightclub exploding with hot keys, cold booze and swingin’ dances about as far from the stylings of “So You Think You Can Dance” as possible.

‘Superior Donuts’ From Pulitzer Prize-Winning Playwright Tracy Letts a Chicago Dish, Albeit a Stale One

Ensemble member Jon Michael Hill (left) and Michael McKean in Superior Donuts from Tracy Letts
HollywoodChicago.com Comedy/Tragedy Rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I wouldn’t have wanted to be Tracy Letts on Saturday afternoon. After winning both the Pulitzer Prize and the Tony Award for his opus “August: Osage County,” he had to have been feeling the tremendous pressure being placed on his newest work and first comedy “Superior Donuts”.

Chicago’s ‘Relatively Close’ is Concrete Proof That Death is Easy, Comedy is Hard

From left: Dexter Zollicoffer, Usman Ally, Laura T. Fisher and Penny Slusher in Relatively Close
HollywoodChicago.com Comedy/Tragedy Rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Forget the Year of the Rat. This is the year of the dysfunctional family reunion.

With Tracy Letts’ Pulitzer Prize-winning drama “August: Osage County,” the Broadway remounting of “Cat on a Hot Tin Roof” and the Tony-sweeping revival of “Gypsy,” 2008 has been saturated with some of the finest performances of relational drama that theatre has seen in years.

Raven Theatre’s ‘Laughter on the 23rd Floor’ Serves Justice to Neil Simon Masterpiece

Laughter on the 23rd Floor at the Raven Theatre in Chicago
HollywoodChicago.com Comedy/Tragedy Rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Part slapstick and part Henny Youngman-style one-liner schtick, “Laughter on the 23rd Floor” is a classic American comedy that still rings funny no matter how many times you’ve seen it.

New Millennium Theatre’s ‘Villains’ Scores Originality With Anti-Hero Plotline

New Millennium Theatre's Chicago production of Villains (3)
HollywoodChicago.com Comedy/Tragedy Rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In an unrevealed abandoned warehouse in the seedy underbelly of Chicago’s north side that is the Uptown neighborhood, a group of super villains met last Saturday night to plot and scheme their next attack against law-abiding society.

‘Avenue Q’ Bases Musical Self on ‘Cheap Laugh is Better Than No Laugh’ Adage

Avenue Q in Chicago
HollywoodChicago.com Comedy/Tragedy Rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In the tradition of recent Broadway productions where touristy and crowd-pleasing scenery reigns over any type of theater substance, along comes the 2004 Tony Award-winning best musical “Avenue Q,” which is now in a touring version at the Cadillac Palace Theatre in Chicago.

‘The Mark of Zorro’ Nails Swordsman, Markedly Complicates Cast, Botches Dialect

The Mark of Zorro at the Lifeline Theatre in Chicago
HollywoodChicago.com Comedy/Tragedy Rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Sometimes less, of course, is more. Live theater often knows that better than anyone. That’s exactly the shrill reminder Chicago’s Lifeline Theatre needed in Katie McLean’s adaptation of the beloved Zorro book by Johnston McCulley.

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  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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