CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – After becoming one of last season’s don’t miss shows “Hannibal” has it’s work cut out for it on several fronts. Forget the fact that the bar is set so high for the writing and the acting and visual aesthetics. Underneath all that is another far more daunting task. Show Runner Bryan Fuller has already let leak that Season Four is when the events depicted in the novels and previous film adaptations will start to enter the mix – culminating in a season that imagines events taking place after the film “Hannibal” (2001).
CHICAGO – For over 30 years, Women in Film has been building a global community of film, television, advertising, digital and on-screen media professionals. The Chicago chapter is a vibrant part of that community, and on January 23rd Women in Film Chicago began the new year with their 2014 Kick-Off Party.
FX has built a loyal following for the twisted genius of their animated hit “Archer,” which returns tonight, January 13, 2014 to start an incredibly strong series of episodes that spoof “Miami Vice” under the banner of “Archer Vice.” While “Archer” seems to garner more fans every year (helped ably by the popularity of the episodes on Netflix), FX has struggled to find it a partner. Maybe an obnoxious, fat, gay white rapper is just what Sterling Archer needed.
There’s a fine line between old-fashioned and stale. Some will look at “Chicago PD,” NBC’s spin-off of “Chicago Fire” from mega-producer Dick Wolf, and say that it’s the kind of tried-and-true cop show that they don’t really make that often any more. I would say there’s a reason they don’t make them any more.
CBS’s “Intelligence” is going for smart & sexy but too often ends up silly. “LOST” star Josh Holloway casts a charismatic shadow but his character is a cipher in the premiere, a walking computer chip that lacks the personality for a show like this to work.
What a great time to be a TV junkie. NBC’s “Community” is back in prime form with the return of Dan Harmon. HBO launches the incredible “True Detective” on Sunday and “Sherlock” returns stateside next weekend. There’s enough quality out there that FX’s “Justified” could get lost in the shuffle. Don’t let that happen.
I’ve avoided saying it outright for a few years as it seems like an overwritten headline but one thing is too clear to ignore when looking back at this past year in television — we are currently in the most creatively vital time in the history of the form.
CHICAGO – They have already made a statement in 2013 by broadcasting Jane Campion’s brilliant “Top of the Lake” and the riveting “Rectify” but Sundance Channel goes for the hat trick, starting tonight, as they debut the French supernatural hit “The Returned,” a brilliant twist on the undead genre that places the emphasis on mood, dread, and emotion instead of the unexpected.
LOS ANGELES – Marcia Wallace, who created two classic TV roles on “The Bob Newhart Show” and “The Simpsons,” passed away in Los Angeles, according to her agent on Saturday. She was 70 years old. In the 1970s, she was known as Carol Kester, Bob Hartley’s assistant on that Newhart show. In 1990 – one season after “The Simpsons” began – she took on the voice role of Edna Krabappel, the frazzled and man-hungry fourth grade teacher of Bart Simpson.
CHICAGO – Was “Toy Story 3” the last great Pixar production? With the modest critical reaction to “Cars 2,” “Brave,” and “Monsters University,” it seems an entirely defensible position to take. In fact, one could easily argue that “Small Fry,” the “Toy Story” short that premiered with “The Muppets,” and “Partysaurus Rex,” which played with “Finding Nemo 3D,” should be considered higher on the Pixar hierarchy than “Cars 2” and maybe even “Brave.”