March 2012

Rating: 3.0/5.0

CHICAGO – The midnight movie show, popularized by “Rocky Horror,” always needs new candidates. The raunchy, hit-and-miss “Tim and Eric’s Billion Dollar Movie” is fresh midnight meat, stamped with “love” from Tim Heidecker and Eric Warheim of Cartoon Network’s Adult Swim (”Tom Goes to the Mayor”).

CHICAGO – “Undefeated” takes some time to connect. It’s like a football team that starts slow and can’t quite find the right play calls for the first quarter. I’ll admit to being nonplussed at the start of the film as it seemed unfocused and a bit disconnected. Then something amazing happens.

Rating: 3.5/5.0

CHICAGO – The central character in the Oscar-nominated “Bullhead” is a force of nature not unlike Jake La Motta in Scorsese’s “Raging Bull” or the title character in Refn’s “Bronson.” He is less human than hormone as he injects himself with steroids like a bull being fattened to make better steaks. And his story is clearly one that it is going to end tragically. This dark, vicious film gets a bit muddled at times but the strength of its lead performance and a strong visual palette make it a stark but worthwhile trip.

Rating: 2.5/5.0

CHICAGO – “Dr. Seuss’ The Lorax” certainly isn’t an awful film by any stretch of the imagination. It features some solid voice work, a few lessons worth learning by the iGeneration, and some nifty visuals. It’s also pretty damn boring. Even the little ones at the family screening I attended seemed to lose interest in how this timeless story has been stretched to the demands of a modern family film. It just never quite connects in the way fans of this legendary character hope it would.

CHICAGO – With a mixture of brooding unease and morbid fascination, the camera in Justin Kurzel’s fact-based thriller has a tendency to follow characters from behind as they enter a new realm of darkness. It’s the darkness residing outside the dingy walls of a hazardous home in South Australia that draws a damaged young man like a moth to a flame. He’s seeking a father figure, but what he finds is something unspeakable.

Rating: 4.0/5.0

CHICAGO – With a mixture of brooding unease and morbid fascination, the camera in Justin Kurzel’s fact-based thriller has a tendency to follow characters from behind as they enter a new realm of darkness. It’s the darkness residing outside the dingy walls of a hazardous home in South Australia that draws a damaged young man like a moth to a flame. He’s seeking a father figure, but what he finds is something unspeakable.

CHICAGO – Two films tied for the most Oscars this week and only one is available on Blu-ray as Martin Scorsese’s beloved “Hugo,” winner of five Oscars, hit the home market with one of the best HD transfers I’ve ever seen (and I’ve seen hundreds). This movie looks beautiful in HD, arguably more so than it did in 3D in theaters. I have more issues with the film than most critics but the transfer perfectly amplifies the film’s strengths, downplaying its weaknesses. The special features are light but the video is strong enough not to complain.

CHICAGO – The last two “Shrek” movies — “Shrek the Third” and “Shrek Forever After” — were such worthless affairs that I was somewhat dreading their spin-off adventure, “Puss in Boots.” It didn’t help that I never found Antonio Banderas’ wide-eyed kittie with a sword nearly as charming as the rest of the world apparently did. So it was much to my surprise that I can say that I thoroughly enjoyed “Puss in Boots,” a clever, fun romp for all ages.

CHICAGO – With the right role and the right director, Channing Tatum manages to convince me that he is in fact a decent actor. He’s delivered enough solid work to illustrate that he’s more than just empty eye candy (in other words, he’s no Taylor Lautner). So why does Tatum continue to forge collaborations with Dito Montiel, a director who has a knack for making him look like an amateur?