CHICAGO – Society, or at least certain elements of society, are always looking for scapegoats to hide the sins of themselves and authority. In the so-called “great America” of the 1950s, the scapegoat target was comic books … specifically through a sociological study called “The Seduction of the Innocent.” City Lit Theater Company, in part two of a trilogy on comic culture by Mark Pracht, presents “The Innocence of Seduction … now through October 8th, 2023. For details and tickets, click COMIC BOOK.
HollywoodChicago.com Blu-Ray Reviews
What to Watch: Feb. 18-24, 2014
Submitted by BrianTT on February 18, 2014 - 1:05pmWhat an amazing week for TV fans. As if you didn’t have enough stacking to do with the new, brilliant season of “House of Cards” on Netflix, there are four other full seasons in this week’s What to Watch that you really should watch front to back. And then there’s the still-amazing “Darkman,” a cult classic that perfectly captures Sam Raimi’s skill at controlled chaos. Finally, we have two ’80s horror flicks in one set in “Bad Dreams” and “Visiting Hours.” Check ‘em all out (OK, you can skip the genre stinkers).
Blu-ray Review: Alfred Hitchcock’s ‘Foreign Correspondent’ Joins Criterion Club
Submitted by BrianTT on February 15, 2014 - 10:11pmCinema history has a few great double-up years: 12-month periods in which a classic filmmaker had not one but two great films. Mel Brooks may be the most notorious, releasing two of the best comedies of all time in 1974 (“Blazing Saddles” & “Young Frankenstein”) and Steven Spielberg has arguably done it a few times, inarguably in 1993 (“Jurassic Park” & “Schindler’s List”) and he would double-up again in 2002 (“Minority Report” & “Catch Me If You Can”) and 2011 (“Tintin” & “War Horse”).
Blu-ray Review: ‘Haunter’ Does More Than Simply Haunt
Submitted by DaveHC on February 14, 2014 - 5:08pmCHICAGO – Director Vincenzo Natali’s name always gets my attention. You always get the sense tha the’s trying to do something new. He first came to prominence with “Cube” (1997), which is a gorily stylistic bit of cheap psychological horror masquerading as science fiction. “Nothing” (2003) put two men in a literal void reminiscent in some ways of the classic and surreal Chuck Jones Looney Tune “Duck Amuck”. “Splice” (2009) offered an updated Frankenstein myth mixed with sexual politics and a critique of profit-driven genetic engineering.
What to Watch: Feb. 11-17, 2014
Submitted by BrianTT on February 12, 2014 - 6:29pmWe’re a little light on quantity at What to Watch this week but not on quality. And our newest contributor, Dave Canfield, has already handled today’s release of “All is Lost,” a film you really should add to whatever queue allows you to see quality films. When you’re done with that, pick one of these five. OK, four. Ignore “Diana.” Please.
Blu-ray Review: Feeling of Timelessness in ‘La Vie de Bohéme’
Submitted by PatrickMcD on February 11, 2014 - 4:48pmCHICAGO – What is amazing about the texture of this 1992 film version of the 1848 Henri Murger novel, “La Vie de Bohéme,” is that it looks like it could have been filmed during the French New Wave period of the late 1950s/early ‘60s. The Criterion Collection offers a stunning new Blu-ray transfer of a now classic adaptation.
Blu-ray Review: ‘All is Lost’ Finds Heart & Soul of One Man’s Journey
Submitted by DaveHC on February 10, 2014 - 7:37pmCHICAGO – All is lost. It’s is a phrase uttered by countless adventurers across human history. It speaks of resignation and despair. We hear it in voiceover during PBS documentaries when the narrator reads someone’s diary or letter to explain the last little bit of a fellow human’s final stand against nature or the ardors of travel.
What to Watch: Feb. 4-10, 2014
Submitted by BrianTT on February 4, 2014 - 5:18pmWhile there is a likely Oscar-winner, a massive box set from HBO, and some true crowd-pleasers in this week’s What to Watch, it’s a bit of a downer compared to some more recent jam-packed weeks of Blu-ray and streaming greatness. We also couldn’t find an On Demand title this week worth mentioning, although Denis Villeneuve’s “Enemy,” starring Jake Gyllenhaal, hits DirecTV On Demand this Thursday and you can bet we’ll be there to check it out before a March theatrical release. Until then, rent or buy something below.
What to Watch: Jan. 28-Feb. 3, 2014
Submitted by BrianTT on January 28, 2014 - 3:55pmWe’re back! After a week off in Park City, What to Watch is back with 8 movies for you to check out at your local Blu-ray shop or download on your favorite streaming service. Some great variety this week, including a fantastic On Demand debut starring Elijah Wood & John Cusack, a few classics, and a couple of current Oscar nominees.
Blu-ray Review: Teen Movies Don’t Get Better Than ‘The Spectacular Now’
Submitted by BrianTT on January 28, 2014 - 9:52amWe are surrounded by fiction about teenagers that treats both its subjects and its target audience like idiots. So few filmmakers understand the problems and emotions of young people that when a film as great as “The Spectacular Now” comes along (my #13 of 2013), it’s a small miracle. Reminiscent of the best of Cameron Crowe, James Ponsoldt’s adaptation of Tim Tharp’s novel (from a script robbed of an Oscar nod by Scott Neustadter & Michael H. Weber) is a fantastic drama about a kid realizing that he may be peaking in high school. The Blu-ray is well-accompanied by a fantastic commentary from Ponsoldt, 20 minutes of deleted scenes, and featurettes.
Blu-ray Review: Don’t Miss Remarkable Honesty of ‘Short Term 12’
Submitted by BrianTT on January 14, 2014 - 7:47pm“Short Term 12” is a special film. If through some true miracle, Brie Larson’s name is announced on Oscar nominations morning, that sound you hear is me screaming in childish glee. She certainly deserves it for this daring, honest piece of work, one that dares to suggest that there are numerous ways to stop the emotional bleeding. It could be rap, it could be art, it could be taking a bat to a car, or it could be love. Destin Cretton won the Chicago Film Critics Association Award for Most Promising Filmmaker and it was one of this year’s winners of which I was most proud we were recognizing. This is a special movie.
