Adam Fendelman

Rating: 4.0/5.0

CHICAGO – Blockbuster films are obsessed with bigger, louder and faster. They often think they need to spend more money to outdo what they’ve done before – especially when coming from a beloved original like “Jurassic Park”.

Rating: 2.5/5.0

CHICAGO – When the story is as weak as the film’s fault lines and the character development never develops, the problem with blowing $100 million mostly on special effects is all you’re left with is unintelligent disaster porn.

Rating: 4.5/5.0

CHICAGO – It’s “the greatest action movie ever made,” so says the television commercials (which means it’s true). And it’s buoyed by other quotables galore including “what a lovely day!,” “from mastermind George Miller,” “pulse pounding,” “heart wrenching” and “teeth grinding”. While these words are actually true, though, the film doesn’t need them to sell it.

Rating: 4.0/5.0

CHICAGO – Look. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Rating: 4.0/5.0

CHICAGO – I’ve never classified myself as a “Fast & Furious” franchise fan. Nor have I been a hater. I’ve fallen somewhere in between – willingly watching the popcorn flicks but then quickly going about my life as fast as the furious action ended. Until “Furious 7”…

Rating: 4.0/5.0

CHICAGO – Motivated by financial necessity, sequels often mitigate business risk and satisfy studio executives by riding on the coattails of a previous fan base with brand equity. But business aside, to moviegoers the follow-up product so often feels like it “wasn’t nearly as good as the first” or didn’t need to return at all.

Rating: 4.0/5.0

CHICAGO – Perhaps you’ve heard Anna Kendrick dabble in that thing called “singing” with her cutesy “Cups” on the radio, her runaway princess role in “Into the Woods” or “Pitch Perfect”. But apparently it takes an under-the-radar indie film that adapts a commercially failed off-Broadway play for her to shine as a dramatic actress and especially carry the tune as a powerful, spine-chilling singer.

Rating: 2.0/5.0

CHICAGO – Strike one of far too many: “Fifty Shades of Grey” author Erika Leonard (better known as E.L. James) has never lived the BDSM lifestyle. And therefore, nor should she be writing about, romanticizing and profiteering on it. On a $40 million budget, the film earned $30.2 million on its opening Friday and is on track for a record-breaking international weekend grab of $158 million.

Rating: 2.0/5.0

CHICAGO – I can’t decide which is worse: the “fake deep talk” from Jeff Bridges in “Seventh Son” or the “angry whisper talk” from Eddie Redmayne in “Jupiter Ascending,” which also opened on Friday. Both speech impediments are ugly fish out of water, both films are getting punished by critics and both are underperforming at domestic box offices.

Rating: 2.5/5.0

CHICAGO – I’m on board with Jude Law leading a film and neutral about submarine movies as a genre. My primary pre-screening interest in the quietly marketed thriller “Black Sea” was what Oscar-winning director Kevin Macdonald would do with this material following his hit with the hard-hitting drama “The Last King of Scotland”.