CHICAGO – There is no better time to take in a stage play that is based in U.S. history, depicting the battle between fact and religion. The old theater chestnut – first mounted in 1955 – is “Inherit the Wind,” now at the Goodman Theatre, completing it’s short run through October 20th. For tickets and more information, click INHERIT.
Berenice Bejo
Asghar Farhadi’s ‘The Past’ Finds Resonance Through Subtlety of Human Interaction
Submitted by BrianTT on January 10, 2014 - 4:46pmRating: 4.0/5.0 |
Filmgoers may bash the January to October movie fare for being boisterous, obnoxious, directed by Michael Bay, etc. However, even during the supposedly tasteful sanctuary that is the award season of November to January, those films themselves can be lumped together to sponsor their own lack of subtlety.
‘The Artist’ is Magical Ode to Old Hollywood
Submitted by BrianTT on December 19, 2011 - 4:11pmRating: 5.0/5.0 |
CHICAGO – “The Artist” is the kind of film for which a critic feels an added responsibility. The fact is that I know that a large number of readers won’t go anywhere near a movie that is described as “a black & white ode to silent films.” Eek. Sounds like torture. And yet, I also know for a fact that a vast majority of those same readers would LOVE “The Artist.” This is a stellar piece of filmmaking, one of the best of the year. Jump on the bandwagon early for what will surely be one of the major players of the upcoming awards season.
1960s-Era James Bond is Skewered in New Spoof ‘OSS 117: Cairo, Nest of Spies’
Submitted by HollywoodChicago.com on June 27, 2008 - 2:32amRating: 3.0/5.0 |
CHICAGO – The heroic nature of the James Bond series of films begs several questions about his representation of western world power.
For one, just who did he act for and what was he fighting against? The new French film “OSS 117: Cairo, Nest of Spies” attempts to answer this question through a subtle and sporadically funny satire, a skewering of the Bond image and geopolitics in the 1960s.