John Krasinski

Rating: 4.0/5.0

CHICAGO – The horror genre gets a bad rap but in many ways, they’ve earned it. That’s not to say that every horror film is inherently bad, but at the smallest sign of financial/critical success, the studios will try to franchise it like it’s an IHOP. For example, let’s look at the cautionary tale known as the Saw franchise, which recently released a film that likely none of you saw.

Rating: 4.0/5.0

CHICAGO - Terror and fear take several forms. Sometimes it’s something as simple as spiders or snakes or even an incompetent president. Other times it can take the form of natural states, like darkness. Horror films channel our fears, but the great ones give us something new to fear. “A Quiet Place” lures us in with the safety of silence, only to reveal the monsters hiding within.

Rating: 3.5/5.0

CHICAGO – It has become clear to anyone who is making an observation about authority and “order” in America, that for certain people it comes with a severe price. “Detroit” explores an incident within the 1967 riots there, when white police officers raided a hotel and perpetuated crimes of their own.

Rating: 4.0/5.0

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Rating: 5.0/5.0

CHICAGO – The master animator and film legend Hayao Miyazaki (“Howl’s Moving Castle,” “Spirited Away,” “Princess Mononoke”) announced his retirement after his latest film, “The Wind Rises.” He is often called “Japan’s Walt Disney,” but there is more to him then that, a soul and a mystery that is revealed in the stages of his animated art, and his contribution to artistic culture will continue to influence for generations to come. “The Wind Rises” is nominated for Best Animated Film at the 2014 Academy Awards.

Rating: 2.5/5.0

CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.” Few filmmakers have straddled the mainstream and independent realms with such success (Steven Soderbergh would be another). But when a Van Sant film fails, it often fails spectacularly, as proven by “Even Cowgirls Get the Blues” and that notoriously pointless “Psycho” remake.

Rating: 2.5/5.0

CHICAGO – From the very beginning of her screen career, Olivia Thirlby has specialized in playing youthful seductresses intent on jump-starting their male partners’ sexual coming-of-age. She exuded megawatt allure in everything from David Gordon Green’s “George Washington” to Brett Ratner’s memorable segment in “New York, I Love You.”

Rating: 3.5/5.0

CHICAGO – Whale of a tale (chuckle), no other headline writer has thought of that. “Big Miracle” is a family movie with Drew Barrymore, John Krasinski, Kristen Bell, Ted Danson and the voice of Ronald Reagan, that will not have adults seeking the emergency exits. It’s about whales.

Rating: 2.0/5.0

CHICAGO – Wedding movies, the wedding industrial complex, weddings as women’s literature, where does it end? (divorce) It’s that time of year, and the wedding film makes its ritualistic appearance, here represented by the morally bankrupt “Something Borrowed.”

Rating: 4.0/5.0

CHICAGO – Referring to her new film, “It’s Complicated,” Meryl Steep recently said, “It’s incredible, I’m playing the romantic lead in romantic comedies. Bette Davis is rolling over in her grave.” Tell Kate Hepburn the news.