Samuel L. Jackson

Rating: 2.5/5.0

CHICAGO – You get the sense that a writer for the new “RoboCop” felt very proud of himself when he coined the cheeky word “robophobic” as a play on a current cultural hot button. The Samuel L. Jackson moment of self-fulfilled glory reminded me of the rest of the plot that was missing.

Rating: 1.5/5.0

After years in development hell, Spike Lee’s remake of Park Chan-wook’s beloved “Oldboy” is finally here. Does it live up to the high expectations set by the original? Does it mark a return to form from the director of some of the most important movies of his era or is it another disappointment? No and no. Sadly, what’s so remarkable about “Oldboy,” especially when one considers the darkness of its themes and graphic violence, is that it’s just so forgettable. It’s an echo of Park’s film and will be quickly dismissed in the legacy of its director.

Rating: 4.5/5.0

CHICAGO – Quentin Tarantino’s “Django Unchained” has some undeniable pleasures, the kind that erupt from the screenwriting abilities of one of the best movie scribes alive. Tarantino’s way with words and plotting are as honed as ever and he directs his super-talented cast to enjoyable performances all around.

Rating: 4.5/5.0

CHICAGO – When I was a kid, summer movies were an event. They weren’t just marketing tricks, young adult adaptations, or unnecessary sequels. They were blockbusters that you put on the calendar and counted the days until their arrival. Something of that summer movie magic has been lost in recent years – the sense that you weren’t just seeing a movie, you were experiencing something special.

Rating: 3.0/5.0

CHICAGO – Jar Jar Binks is back, and George Lucas has him in 3D. Yes, the re-release of 1999’s “Star Wars: Episode 1 – The Phantom Menace,” takes advantage of the new 3D technology. However, it can’t change the story or the now 13-year outrage regarding this weird take on the Stars Wars legacy. Were we ever that young and that angry?

Rating: 4.0/5.0

CHICAGO – With mammoth special effects budgets carelessly puked into blockbuster films these days without story or heart, it’s effortless to wow audiences with beguiling explosions and one or two trademark, “The Matrix”-like innovations.

Rating: 3.5/5.0

CHICAGO – While a cop film take-off is filed under the fish-in-a-barrel category, writer/director Adam McKay manages to spin some absurd gold threads into the thin blue cloth. In other words, Will Ferrell and Mark Wahlberg are damn funny in this all-in cop farce, with enough familiar co-star support to prop up the whole enchilada.

Rating: 3.0/5.0

CHICAGO – “Mother and Child,” with an all star cast of Annette Bening, Naomi Watts, Samuel L. Jackson, Jimmy Smits and Kerry Washington, is mindful of its subject matter, that rare and elusive connection between a mother and their offspring. However, the film has difficulties when the characters become inconsistent with their past backgrounds after that connection is introduced.

Rating: 3.5/5.0

CHICAGO – “Iron Man 2” with returner Robert Downey Jr. and newcomer Scarlett Johansson does what it can within the confines of what it has to do. The Hollywood machine has trained us to have certain expectations for blockbuster sequels and “Iron Man 2” neither deviates nor blazes new territory.

Rating: 2.5/5.0

CHICAGO – “Star Wars: The Clone Wars,” which is the inaugural animated “Star Wars” project from Lucasfilm Animation and “Star Wars” architect George Lucas, feels and looks every bit as introductory as a foundational attempt could be.