CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.
Film Review: Abbas Kiarostami’s ‘Certified Copy’ Tantalizes, Delights
![Printer-friendly version Printer-friendly version](/sites/all/modules/print/icons/print_icon.gif)
![E-mail page to friend E-mail page to friend](/sites/all/modules/print/icons/mail_icon.gif)
![PDF version PDF version](/sites/all/modules/print/icons/pdf_icon.gif)
CHICAGO – Nothing transfixes me quite like transcendent acting and writing when viewed under a cinematic lens. My favorite films of early 2011 have been Tommy Lee Jones’s stunning adaptation of Cormac McCarthy’s play, “The Sunset Limited,” and Abbas Kiarostami’s beguiling new masterwork, “Certified Copy.” Both films derive their dramatic power from the differing philosophies of two articulate characters who may or may not be what they seem.
![]() Rating: 5.0/5.0 |
Neither picture can truly be experienced when viewed casually. They demand an audience’s full attention, engagement and participation. If you don’t leave these films with the overpowering need to discuss and dissect their intricacies, then you obviously zoned out long before the end credits. And yet, neither of these films are rendered inaccessible to the mainstream because of their inherent intellectualism. They are compulsively watchable, effortlessly entertaining, deeply provocative and guaranteed to haunt you for days.
![]() |
The celebrated Iranian filmmaker Kiarostami is certainly among the most playful of auteurs. He’s obsessed with exploring the precarious line separating reality from fiction, as he did in his extraordinary 1990 landmark, “Close-Up.” That film told the true-life tale of Hossain Sabzian, a devoted movie lover who passed himself off as the director Mohsen Makhmalbaf. Kiarostami added multiple levels of intrigue by allowing the real people involved in the story (including Sabzian) to play themselves. And since their opinions about what actually happened tended to differ, their scenes contain a dizzying array of conflicting nuances. By blending the techniques of documentary and narrative filmmaking, Kiarostami seems to be demonstrating that no film can be truly objective since it ultimately represents the perspective of the artist. Since every perspective represents a different reality, who is to say what is real?
![Star](http://www.hollywoodchicago.com/sites/default/files/star.gif)
![Juliette Binoche stars in Abbas Kiarostami’s Certified Copy. Juliette Binoche stars in Abbas Kiarostami’s Certified Copy.](http://www.hollywoodchicago.com/sites/default/files/STILL1-2.jpg)
Juliette Binoche stars in Abbas Kiarostami’s Certified Copy.
Photo credit: IFC Films