CHICAGO – If you’ve never seen the farcical ensemble theater chestnut “Noises Off,” you will see no better version than on the Steppenwolf Theatre stage, now at their northside Chicago venue through November 3rd. For tickets and details for this riotous theater experience, click NOISES OFF.
Film Review: Goofy ‘The FP’ is Geared For Manic Midnight Movie Goers
Rating: 3.5/5.0 |
CHICAGO – “The FP,” playing in midnight shows this weekend at Music Box and in various arthouse theaters around the country, is a hard movie to put your finger on. Is it just bad like “Birdemic” or “The Room” or is it something “trying” to be bad? Is it a spoof of bad movies or just a bad movie? Does it matter? Either way, “The FP” works for its audience, a rowdy crowd of midnight movie fans willing to put up with over-the-top silliness, bad performances, and general lunacy. It’s essentially an extended short film that doesn’t even justify its short running time but audiences on its wavelength will eat it up.
One has to give the team behind “The FP” major credit for sticking to their ridiculous vision from first frame to last. Their movie is totally goofy and I don’t mean that as insulting as it may sound. The first ten minutes of the flick have been circulating online and if they work for you then you’ll be happy to know that the movie maintains that level of oddity. “The FP” is kind of like a hybrid between “The Warriors,” “Step Up,” “The Karate Kid,” and a truly meta work like “Rubber” or “Casa De Mi Padre.” It takes itself incredibly seriously even though there’s absolutely nothing serious going on at all.
Read Brian Tallerico’s full review of “The FP” in our reviews section. |
“The FP” stands for “Frazier Park,” the odd setting of the film that sometimes looks futuristic but just as often looks like a redneck trailer park that was invaded by Dubstep. Two groups fight for control of “The FP,” the 248 from the North and the 245 from the South. How do they fight? With knives, weapons, or other common devices of the genre? Of course not. They “fight” with one-on-one competitions of “Beat-Beat Revelation,” a version of “Dance Dance Revolution.” Clad in what look like cheap DJ outfits, two men dance to video game cues in underground clubs.
In the opening scene, JTRO (Jason Trost) loses his brother in a deadly “Beat-Beat” battle and goes into hiding after the loss. One year later, jackasses have taken over “The FP” largely by controlling the flow of alcohol. The thinking is that with no booze, people turn to drugs. It’s actually alcohol that’s keeping civilization in order. JTRO has to come back the FP and get the girl, win the final battle, and save his people.
The FP
Photo credit: Drafthouse Films