CHICAGO – There is no better time to take in a stage play that is based in U.S. history, depicting the battle between fact and religion. The old theater chestnut – first mounted in 1955 – is “Inherit the Wind,” now at the Goodman Theatre, completing it’s short run through October 20th. For tickets and more information, click INHERIT.
Film Review: The Worst Horror Film of 2014, ‘Ouija’ is ‘Mama’ From 11 Narcoleptic Producers
- Adam Fendelman
- Ana Coto
- Bianca Santos
- Blumhouse Productions
- Daren Kagasoff
- Douglas Smith
- HollywoodChicago.com Content
- Insidious
- Jason Blum
- Juliet Snowden
- Movie Review
- Olivia Cooke
- Ouija
- Paranormal Activity
- Shelley Hennig
- Sierra Heuermann
- Stiles White
- The Purge
- The Texas Chainsaw Massacre
- Universal Pictures
CHICAGO – Out of respect for the filmmakers and actors, I don’t walk out on films. I hold true to that even when I know in the first 10 minutes the film’s not for me. Perhaps the second act could surprise me. Maybe the whole film is a flop but it redeems itself with shock and awe in the last 5 minutes.
Rating: 1.0/5.0 |
But let’s be honest: As much as you can tell yourself you’ll walk into “Ouija” with an open mind, it’s impossible to have high hopes about this latest “horror” film in a tiresome string of formulaic attempts. You’re not expecting Oscar-caliber performances and that’s why these kinds of films can get away with casting no one you’ve ever heard of.
This time, Olivia Cooke takes center stage. You might remember her if you saw this year’s sci-fi flop “The Signal” with Laurence Fishburne. She looks like a younger Rose Byrne. Frankly she’s literally the one thing – person or otherwise – that remotely nears something that is even somewhat passable in this major bomb of an 89-minute film. Clocking in at 85 minutes too long, this simple, formulaic, safe, riskless, going-nowhere story could have been told just in 4.
Read Adam Fendelman’s full review of “Ouija”. |
In truth, 4 minutes is generous. I’ll sum it up in one paragraph that takes you 20 seconds to read.
“Hollywood newbies cast in amateur horror movie from famous producers for acting credit to build resume. No time to develop story or budget for quality filmmaking. The script has actors artificially pretending to be scared over a poor excuse for a plot device – a board game – that delivers no real fear. Furthering said weak plot device, the film will devolve yet again into ghosts from the past who desire reconciliation while offering literally not a single thing new to the genre.”
As many films don’t dare to be original and they instead often “borrow” from others, I find accidental humor in one of this story’s most ridiculous steals. Remember the 2013 film “Mama” with Jessica Chastain from the creator of “Pan’s Labyrinth,” which, by the way, I didn’t hate and I still periodically like to whisper “mama” in a creepy voice in the middle of the night? Well, “Ouija” pretty much has the same ghostly villain, but they rename her “Mother”.
Image credit: Universal Pictures