CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Film Review: Flawless ‘Beauty and the Beast’ is a New Classic
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CHICAGO – Do not doubt the power of live action to create a new atmosphere of joy and…dare I say it…beauty. The re-imagining of the animated classic “Beauty and the Beast” is everything that the previous was and much more. It packs a true and emotional wallop that follows through to the end.
![]() Rating: 5.0/5.0 |
Basically the same narrative/song formula is used, but a live action Broadway feel is given to this film version – directed by Bill Condon (“Dreamgirls,” “Chicago”) – that adds more soul and more resonance to the staging, story and iconic songs. It may feel that you’ve seen it before – especially if you’re in the generation that wore out the videotape/DVD – but to me this version reaches for something beyond the cartoon. It’s narrative and motivations are richer, and the arc of the connection between Belle and the Beast is more mature and rises to the very happiness of the conclusion. The unlikely coming together of the couple has implications for all the characters in this version of story, and the magic does come from their endgame. The structure and power of the 2017 BandtheB stands up with the best musicals in cinema, which is not an overstatement, considering its depth and feeling.
The funny girl named Belle (Emma Watson) lives in a provincial European town in the Middle Age past. She is an outsider who loves books, and has been raised by an eccentric father (Kevin Kline), after her mother died when she was young. Despite being shunned by the general townsfolk, she is a Beauty, and is pursued by the most handsome-yet-vain suitor, Gaston (Luke Evans), who is accompanied by his sidekick LeFou (Josh Gad).
Her father, during a trip to the market, is forced to trepass within a eerie castle. He is kidnapped there, by the horrid Beast (Dan Stevens). Belle comes to his rescue, exchanging his imprisonment for her own. While confined, she meets a staff of animated household objects, including Lumiére (Ewan McGregor), Cogsworth (Ian McKellan), Mrs. Potts (Emma Thompson), Garderobe (Audra McDonald) and Cadenza (Stanley Tucci). How can the castle’s spell be broken, and all human forms returned? If Belle and the Beast can somehow love each other.
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Tale as Old as Time: Belle (Emma Watson) and Beast (Dan Stevens) in ‘Beauty and the Beast’
Photo credit: Walt Disney Studios
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Emma Watson Owned the Role!
Like others, I questioned the casting decision of Emma Watson to play Belle (She didn’t look enough like the animated Belle). However, I just watched Beauty and the Beast last night with family (a March 16 pre-showing). Emma was amazing. She brought so much depth to the role—from sensitivity to heroism. Her performance was so moving, I found myself tearing up three times within the first thirty minutes and many times after that.
What blew me away unexpectedly was Emma’s singing voice. It was warm, emotional, expressive, powerful and beautiful to listen to. Her relationship with her father, Maurice (Kevin Kline) depicted what a loving daughter would sacrifice for her father. Her transformational relationship with the Beast (Dan Stevens), from anger and horror to compassion and love was heartwarming to watch unfold.
Now that I’ve seen Emma in the role, I couldn’t imagine anyone else in it.
I might add that the new songs, written for the movie by it’s original composers Alan Menken and Tim Rice, contributed richly to the storyline and were every bit as powerful and singable as their forerunners, and the musical orchestration was the best I’ve ever heard on any movie anywhere. Wow!
Kudos to the screenwriters, Stephen Chbosky and Evan Spiliotopoulos, for creating the best ever rendition of the centuries-old Beauty and the Beast story. And kudos to Emma Watson for bringing Belle to life. She will win you over.