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In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value
CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.
Rating: 2.0/5.0 |
Though the “Death Race” story has a different book cover, Jason Statham’s character as Jensen Ames and then the masked Frankenstein can be directly correlated to (as just one example) Nicolas Cage’s character in 1997’s “Con Air”. We’ve certainly seen this before: a man who’s supposedly in the slammer innocently and has a monster axe to grind.
While films today can be rewarded for being quality remakes of compelling yesteryear memories, 2008’s “Death Race” not only disappoints in its unoriginal ripping from other films but ultimately loses face in its mission merely for unadulterated and gratuitous violence.
Read Adam Fendelman’s full review of “Death Race” in our reviews section. View our full, high-resolution “Death Race” image gallery. |
“Death Race” is yet another film along the lines of so many second-rate Hollywood products we see today feeling pressured to blow stuff up bigger and badder while servicing the human need to fantasize in the utterly ridiculous.
All the while, a weak story is slapped on top of what essentially just amounts to an anthology of big booms.
Sometimes films succeed in being pure entertainment and don’t attempt to have underlying meaning or instigate inspirational change. When they do, though, they’re most successful when their fundamental purpose at least has some redeeming value.
The unfortunately simple message of “Death Race” merely says we’re living in a time and place where financial corruption can allow us to prostitute ourselves to charge $250 to watch one guy violently off another for our viewing pleasure. In the film, 70 million morbid viewers take the plunge.
Navigator Case (Natalie Martinez) arrives from the women’s prison in an action-thriller set in the near future with the world’s most brutal sporting event as its backdrop in “Death Race”.
Photo credit: Takashi Seida
Jensen Ames (Jason Statham) drives Frankenstein’s Monster in an action-thriller set in the near future with the world’s most brutal sporting event as its backdrop in “Death Race”.
Photo credit: Takashi Seida