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Ambyr Childers

Film Review: Gothic Originality in ‘We Are What We Are’

CHICAGO – Finding something truly original in the horror genre is rare. The most effective scare tactics are ones that touch the heart of our familiarity and psychosis. Re-imagining a Mexican film from 2010, director Jim Mickle gets right to the gothic heart of it all in “We Are What We Are.”

Interview: Director Jim Mickle of ‘We Are What We Are’

CHICAGO – One of the more unique horror film stories is in the upcoming release of “We Are What We Are,” a re-imagining of a 2010 Mexican film, co-written and directed by Jim Mickle. In moving the story to America, Mickle changes the mood of how the rituals transpire, and attaches those rituals to extreme religion.

Film Review: Stunning Ambition Drives P.T. Anderson’s ‘The Master’

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

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