Anne Hathaway

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 5th, 2023, reviewing “She Came to Me” a film about the power of love and New York City tugboats. In theaters on October 6th.

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on November 3rd, 2022, reviewing “Armageddon Time,” a memoir from writer and director James Gray, in theaters beginning November 5th.

CHICAGO – As the “Oceans Eight” remake of last year proved, it is simply not enough to redo a film and flip the gender focus. Anne Hathaway may be the kiss of death for this genre, as she appeared both in O8 and the current “The Hustle,” which in turn is a remake of “Dirty Rotten Scoundrels” (1988). Rebel Wilson, doing what Rebel Wilson does, portrays her sidekick.

CHICAGO – In “Ocean’s 8,” a diamond necklace at the Met Gala isn’t the only thing getting ripped off. This all female knock off provides a reasonable facsimile of a facsimile of the original’s suave swagger, but doesn’t have anything else to go on. “Oceans 11” is a movie that never should have gotten a sequel, much less become some kind of a franchise.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new comedy “The Intern” starring Anne Hathaway and Robert De Niro!

CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water.

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening passes up for grabs to the animated sequel “Rio 2” from the creators of “Ice Age” starring Jesse Eisenberg!