Boogie Nights

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

CHICAGO – There is a certain royal atmosphere when a true movie star walks into the room. Burt Reynolds is that type of star, and his presence has the history of popular movies about him, the journey of a career spanning 50 years.

CHICAGO – Has any director watched their reputation rise as rapidly as the amazing Paul Thomas Anderson? With only five films under his belt - “Hard Eight,” “Boogie Nights,” “Magnolia,” “Punch-Drunk Love,” and “There Will Be Blood” - the man has become one of the most respected and adored filmmakers in the world. Why? He not only hasn’t made a bad film, he hasn’t even come close. His second and third are now available on Blu-ray.

CHICAGO – Legendary adult film star, feminist and best-selling author Nina Hartley was in Chicago for a three-night, sold-out sex education workshop series at The Pleasure Chest from Dec. 3, 2008 to Dec. 5, 2008. Hartley paid a visit to the HollywoodChicago.com celebrity photographer’s studio to shoot some of her new no-nudity publicity.

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge. From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

CHICAGO – Poor Burt Reynolds. As the No. 1 box-office star from 1978 to 1982, he revived his film career in 1997 with “Boogie Nights”. Since then, he has had the long, slow decline of “B” movies and bad remakes. Reynolds even tainted his own legacy by participating in the horrible 2005 redo of “The Longest Yard”.