Brian Tallerico

CHICAGO – Has there ever been a network TV show more cinematic than “Hannibal”? Especially when one watches it commercial-free in “binge” format on the newly-released Blu-ray, one can even more distinctly appreciate the fact that the first season of Bryan Fuller’s incredible show, the best on network TV, plays like long film. Scratch that.

CHICAGO – Alexandre Moors’ “Blue Caprice” presents no easy answers to a situation that likely doesn’t have any. I get that. I don’t need a traditional, TV-movie dissection of the D.C. sniper.

CHICAGO – The plot description which this review will eventually get to is going to make Nicole Holofcener’s “Enough Said” sound sitcomish. It’s a conceit straight out of Must-See TV.

CHICAGO – There are very few recurring weak points in the CBS lineup. They’ve been dominating total viewers for years with mega-hits like “NCIS” and “The Big Bang Theory.” But there is one thing they haven’t been able to figure out — something to partner with “TBBT.”

CHICAGO – Seriously, if “The Michael J. Fox Show” doesn’t connect with NBC’s target audience, they might as well give up. Yes, the show could use a stronger lead-in but it pairs well with “Parenthood,” also returning tomorrow night, September 26, 2013, and it’s the most straight-up likable new sitcom of the season. The first episode is a bit rocky and overly self-referential but it settles in nicely over the next two and already looks like it could be on for years.

CHICAGO – From Archie Bunker to Frank Barone, TV has a long history of crotchety, irascible, borderline offensive fathers who really love their kids. To the long list, we can now add Terry Gannon (James Caan), the scene-stealer from ABC’s “Back in the Game,” premiering tonight, September 25, 2013 in a coveted time slot between the returns of “The Middle” and “Modern Family.”

CHICAGO – “Autumn Sonata,” Ingrid Bergman’s last film and first collaboration with cinema’s other great Bergman (Ingmar), is a challenging film. Is it pure melodrama or is it raw human emotion? The line is a fine one, enhanced by the theatricality of the film, one that opens with a character breaking the 4th wall. And yet I choose to take “Autumn Sonata” seriously and not as emotional manipulation, a decision enhanced by the enlightening essay in the Criterion edition by Farran Smith Nehme, which reveals how much of both Bergman’s own issues with parenthood may have impacted this caustic commentary on how we don’t really change, even as death is staring us in the face.

CHICAGO – Scream Factory refuses to let up, releasing four more stellar Blu-ray editions that will just add to the debt of hardcore horror fans. Not all four of these films are great on their own but they’re all great Blu-ray releases, full of special features and with some truly amazing transfers. Genre junkies, like myself, should own all four, even “Psycho III.” Sorry. Maybe you can take out a loan. It’s not my fault. Don’t shoot the horror messenger.

CHICAGO – It takes guts or stupidity to launch an entire night of new programing but that’s what ABC is attempting this evening, September 24, 2013. And they’re not even doing it consistently in terms of genre and quality. It starts strong with “Marvel’s Agents of S.H.I.E.L.D.” and ends on a whimper with “Lucky 7.” In between?

CHICAGO – “Lucky 7,” debuting tonight on ABC to end their practically unprecedented attempt at an entire night of new programming, is a case of concept over actual character. The creators of this inert drama think cluttering their storytelling with various subplots will make up for the fact that you just don’t care about any of them. It’s a case of quantity over quality and that never works. I could be wrong but this one’s high on my list of shows that could be cancelled before Christmas.