Facets

Film News: Halloween Movie Nights … Asian Pop-Up Cinema, Logan and Music Box Theatres

APUC Horror Cinema 2022

CHICAGO – Time to get your scare on, and Chicago has the cinema treats that will have you screaming! For the month of October 2022 … Halloween month, natch … one Film Festival (APUC, Asian Pop-Up Cinema) and two city theaters (Logan Theatre and Music Box Theatre) has special spooky programming that is guaranteed to have you jumping in your seat. Links and details be-loooooooow!

Via Zoom: Ryan Saunders of 17th CineYouth Fest, April 22-24, 2022

CHICAGO – The future is now at the 2022 CineYouth Festival, taking place this upcoming weekend in person, April 22nd-24th, at FACETS in Chicago. The 17th annual CineYouth features 71 international short films from creators that are children, teens and young adults up to 22 years old. The Festival Director is Ryan Saunders.

Film News: Chicago’s FACETS In-Person & Virtual Film Camps, June 23 to Aug 27, 2021

FACETS Film Camps 2021

CHICAGO – It’s summer camp time, and what better destination for budding cinephiles then Film Camp! FACETS cinema a variety of film classes both in-person. virtual/online and hybrids for children/teens from ages eight to 17. For more information and tuition fees, click here.

Film Feature: Preview for 37th Chicago International Children’s Film Festival, Thru Nov. 22, 2020

Chicago International Children's Film Festival 2020

CHICAGO – The great advantage of film festivals this year, if we’re to see a silver lining, is that most of the offerings are available to a wider audience via online virtual screenings. The 37th Chicago International Children’s Film Festival will be virtual/online and available to children of all ages from November 13th-22nd, 2020.

Film Review: Lauren Ambrose Shines in Heartbreaking Indie ‘About Sunny’

About Sunny Film Review

CHICAGO – In the annals of bad parenting portrayed on film, the heroine of Bryan Wizemann’s 2011 indie drama is a special case indeed. Though we watch helplessly as she makes countless bad decisions guaranteed to send her young daughter to intensive therapy, we don’t regard her a sinister figure on the order of Monique’s monstrous matriarch in “Precious.” Our gaze is one of empathy.

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