Film Review

CHICAGO – The Conjuring: The Devil Made Me Do It is our third official, not-counting-the-spinoffs foray into the “based on true events” shenanigans of Ed and Lorraine Warren, and it’s starting to show. If you’re a tea drinker and equally as frugal as I am, you have reused a tea bag to make a second (sometimes even a third) cup of tea.

CHICAGO – The horror genre gets a bad rap but in many ways, they’ve earned it. That’s not to say that every horror film is inherently bad, but at the smallest sign of financial/critical success, the studios will try to franchise it like it’s an IHOP. For example, let’s look at the cautionary tale known as the Saw franchise, which recently released a film that likely none of you saw.

CHICAGO – If you’ve ever worked retail or in the service industry, you’re aware of the mental and physical state lovingly known as “Cruise Control”. That’s when the crippling monotony of everyday life forces our body into a sort of energy-saver setting that is meant to keep us from having psychotic mental breaks on a semi-regular basis. A sort-of zombie mode, if you will.

CHICAGO – If you find yourself reading this review, you likely understand how much a film can influence society. Despite our best efforts, we don’t get to decide how or why something gets added to our zeitgeist. Its staying power can extend to anything from a character, an ideology, or even a quote.

CHICAGO – People in waste management have a mantra that seems to have been awkwardly adopted by the film industry: Reduce, Reuse, Recycle. In the film industry’s case, ‘reduce’ doesn’t mean to create less waste, but to reduce the amount of money spent taking a chance on original content.

CHICAGO – There are over 500 episodes of “Law and Order” but I’m not about to embarrass myself publicly by revealing just how many of those I’ve seen; let’s leave it at “a lot.” In the age of binge television, I know I’m not the only one that has taken a deep dive into the show and other long-running shows like it, but I know we can all agree why we continue watching them: they keep things fresh. Like any television series that has aspirations of longevity, they can’t stay the same over time, especially when it comes to detective procedurals. The Little Things pays homage to everything we love from an old-fashioned detective procedural but aside from being socially tone-deaf, it also has the misfortune of doing it a couple decades too late.

CHICAGO – Stars are a concept that I don’t think I will ever understand. Giant celestial bodies of gas and fire that burn and shine with an unimaginable intensity. Their spherical appearance masks a double-edge that can both bring and sustain life, or out-right end it. Love is much the same way, simultaneously nurturing us up until the moment it isn’t.

CHICAGO – Elvis Presley, besides being one of the most famous entertainers of the 20th Century, does symbolize to an extent what can happen to icons when they turn towards certain directions in a career. Director Eugene Jarecki has created an amazing documentary about Elvis called “The King,” that uses his rise and decline as a symbol for the American Dream.

Darren Aronofsky’s controversial “Noah” exists somewhere between the sentimental, straight-faced versions of biblical tales that Hollywood has been producing for decades and more auteur-driven fare like Martin Scorsese’s “The Last Temptation of Christ”.

CHICAGO – Despite the best efforts of a game Shailene Woodley and likely future star Theo James, Neil Burger’s “Divergent,” based on the hit book by Veronica Roth, is a joyless, soulless, humorless dud. It is repetitious to the point of parody, never feels like it exists in anything approximating reality, and, like so many “Hunger Games” wannabes, forgets that it’s the characters of that franchise that matter and not the goofy machinations of the plot.