Jean-Luc Godard

CHICAGO – “Band of Outsiders,” recently released in a newly-restored Criterion Blu-ray edition, was one of the most influential films of its era and made waves not only when it was released but continues to influence international cinema today. From Quentin Tarantino’s love for the film (reflected both in “Pulp Fiction” and the name of his production company, A Band Apart) to the numerous ways that the fashion and dancing resonate from Paris to “Saturday Night Live,” “Band of Outsiders” is mesmerizingly cool. It’s Godard’s most accessible film and yet it is also a deconstruction of the very genre that he’s presenting. It’s a crime flick in which the crime doesn’t really matter. It’s the people, the love triangle, and, most of all, the attitude that makes it memorable.

CHICAGO – The notoriously confounding new film from Jean-Luc Godard baffled many critics during its 2010 premiere at Cannes. The legendary director was conspicuously absent from the festival, leading some to believe that his refusal to give interviews was reflected in the film’s final title card, “NO COMMENT.” Yet after a careful analysis of “Film Socialisme,” it’s clear that Godard has plenty to say.

CHICAGO – I have to admit to a bit of trepidation every time a studio outside of the widely acknowledged masters tries their hand at catalog releases but the Lionsgate/StudioCanal Blu-ray releases of “Contempt,” “The Ladykillers,” and “Ran” are spectacular. Not only do the films look amazing in HD but they’ve been given copious special features. Don’t miss them.