Jesse Plemons

Film Review: Stunning Ambition Drives P.T. Anderson’s ‘The Master’

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

TV Review: NBC’s ‘Bent’ Has Promise But Likely Won’t Have Time to Fulfill It

CHICAGO – The cast of NBC’s “Bent” is strong enough that it could easily pull that common sitcom trick of a shaky start that develops into something greater. I’m not trying to compare the programs directly in terms of quality but have you see the first 5-6 episodes of “30 Rock” now that it’s in syndication? They were awful.

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