![]() Television Rating: 5.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 18th, 2021, reviewing the new TV series “Young Rock,” Tuesdays on NBC-TV.
CHICAGO – It’s time for Round Three, 29 years after the second film. “Bill & Ted Face the Music” opened August 28th, 2020 in theaters and VOD platforms. Patrick McDonald of HollywoodChicago.com, reviewed the film during the Eddie Volkman Show (Star 96.7 FM) in Joliet, Illinois.!—break—>
CHICAGO – When you’ve brought to life one of the greatest animation series ever produced, there is not much to prove. The “Toy Story” series has relied on the strong and emotional stories since 1995, and after a nine year break comes back for one more intriguing spin for their characters, finding a new path in “Toy Story 4.”
CHICAGO – I must admit that upon initial viewing, I didn’t care much for the original “John Wick” film. Coming as it did in the post “Taken” wave of old guy revenge thrillers, I found it to be stylish but supremely silly nonsense, since it was the death of puppy as the spark that lit the fuse. However as time has gone by, John Wick has grown on me.
CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”
CHICAGO – The dystopia – or negative future world – is a genre staple, from “Soylent Green” to “Max Max.” The latest film to ponder the possibilities is “The Bad Batch,” from writer/director Ana Lily Amirpour. This is her sophomore feature, after “A Girl Walks Home Alone at Night,” and features Suki Waterhouse in the lead role.
CHICAGO – It takes a special kind of film that enthralls the audience so much that they stop caring about the body count and are more concerned with the main character running out of bullets. “John Wick: Chapter 2” offers the same cathartic effect as watching a Nazi get punched but in an infinitely more picturesque package.
CHICAGO – “The Neon Demon” is definitely worth seeing, if only to create an understanding as to what you think beauty is, but the film suffers in its last quarter by taking a turn towards horror. This mix of decisions by director Nicolas Winding Refn (“Drive”) is audacious and maddening.
CHICAGO – The contemplation of beauty gets a little more truth in a new film by Nicolas Winding Refn (“Drive”) entitled “The Neon Demon.” It features Elle Fanning as Jesse, a naive girl who wants to break into the world of modeling, and does so in an unexpected way. The symbolic film has both strange drama and touches of horror.
CHICAGO – Keanu Reeves has been in a lot of dogs over the years, but rarely has he left such a high body count while avenging one of them. “John Wick” is a brutal revenge thriller where Reeves is a ex-mob enforcer who goes on a murderous rampage leaving blood on every doorstep to avenge the death of his dog.
CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.
![]() Television Rating: 5.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on February 18th, 2021, reviewing the new TV series “Young Rock,” Tuesdays on NBC-TV.
CHICAGO – What is one of the greatest survival instincts of the pandemic? Creativity. The Zoom web series “What Did Clyde Hide?” is the result of a creative effort from Executive Producer/Show Runner Ruth Kaufman, Producer Sandy Gulliver and Director Sean Patrick Leonard. Kaufman and Leonard talk about the series, naturally, via Zoom.!—break—>