Police

Previous | Image 1 of 3 | Next

Amandla Stenberg portrays Starr Carter in ‘The Hate U Give’

CHICAGO – With a film that is seemingly ripped from the headlines, “The Hate U Give,” made its Red Carpet debut at the 54th Chicago International Film Festival on Thursday, October 11th, 2018. The lead actor in the film, newcomer Amandla Stenberg, along with veteran director George Tillman Jr. (“Soul Food”) and producer Robert Teitel, walked the carpet.

CHICAGO – How can we understand the day-to-day factors of men and women who continued to be judged by their skin color, economic circumstances, difficult jobs or gender fluidity, if we are not any of those categories? Our art can help us, as given a great example in the new film “Blindspotting.”

CHICAGO – If there are themes emerging in the 2018 film year, a couple of them are incorporated in Oakland, California, and African American identity. Like the recent “Black Panther” and “Sorry to Bother You,” the new film “Blindspotting” – written by and featuring Daveed Diggs and Rafael Casal – involve those themes.

CHICAGO – The historic 2014 street killing by law enforcement of Michael Brown in Ferguson, Mo. – and the subsequent deflection by the police – continues to resonate. “Whose Streets?” is a new documentary about the incident and aftermath, and it marks the debut of co-directors Sabaah Folayan and Damon Davis.

CHICAGO – It has become clear to anyone who is making an observation about authority and “order” in America, that for certain people it comes with a severe price. “Detroit” explores an incident within the 1967 riots there, when white police officers raided a hotel and perpetuated crimes of their own.

CHICAGO – If you want to experience the old cliché of “everything old is new again,” look no further than the excellent documentary, “The Black Panthers: Vanguard of a Revolution.” The formation of the famous 1960s political group is rooted in the same issues that came out of Ferguson and Baltimore – the marginalization and harassment of African Americans by law enforcement authority. Yes, the group’s techniques were questionable, but so was the use of tax payer money – through the FBI – to destroy the organization.

CHICAGO – The premise is sound, but the new film “Let’s Be Cops” refuses to do something original with the premise of a couple of regular Joes pretending to be Johnny Law. The same stale jokes and inevitable need for heroic action climax overwhelms the mild amusement of it all.

CHICAGO – “Deliver Us from Evil” is director Scott Derrickson’s second foray into possession horror. His first, the excellent “The Exorcism of Emily Rose,” was taut, thoughtful and offered some truly unsettling demon scares.

CHICAGO – Did everyone see “Men in Black”? Or the film’s two sequels? They you saw “R.I.P.D.,” which unfortunately for the production team has “rip” in the title, because the film is a lazy rewrite and rip-off of “MiB.” Jeff Bridges and Ryan Reynolds are the protectors assigned in this one.

CHICAGO – In the genre known as the cop movie, there are expectations. There will be street evil, informants, ride-alongs and camaraderie. What is surprising and welcome in “End of Watch” is how it takes all those elements and expands them with an emotional link between the cop partners, portrayed by Jake Gyllenhaal and Michael Peña .