The Thing

CHICAGO – When a filmmaker creates a new work, they use the templates that are available to them, past and present. As films become more digitized and portable, Chicago’s historic Music Box Theater reminds us of the one format that filmmakers used (and still use). The 2018 70mm Film Festival runs from September 14th through the 27th. For more details and tickets, click here.

CHICAGO – John Carpenter’s “The Thing” is a brilliant study in paranoia. It is more than a mere horror film. The remake/prequel, recently released on Blu-ray and DVD, is a decent horror film but the comparison to the classic original and some serious mistakes in the final act make “decent” not good enough by association.

CHICAGO – There were a disturbing number of remakes in 2011 that failed to justify their existence, including “The Thing,” “Footloose,” and, perhaps worst of all, Marcus Nispel’s “Conan the Barbarian.” The man behind the equally worthless remakes of “The Texas Chainsaw Massacre” and “Friday the 13th” has carved out his own niche of dubious filmmaking decisions that make the original look like a masterpiece in comparison. The first “Conan” worked almost entirely because of the star power brought to it by Ah-nuld. The words star power and Jason Momoa have never been used together in a sentence before now.

CHICAGO – “Paranormal Activity 3” made record breaking audiences scream all weekend long and hauled in enough money to not only be named box office king for this weekend, but for all time from any September/October fall release.

CHICAGO- In the battle of boxing robots and dancing teens, the robots have won in a split decision. In its second weekend in theaters, “Real Steel” has won back-to-back box office bouts, winning this past weekend by a very close scorecard.

CHICAGO – With Halloween approaching, what will truly scare us at the cinema this month? One strong entry is this weekend’s “The Thing,” the third remake of a wild and mysterious monster movie. It combines a European-style approach to paranoia with some truly unique monster effects.

CHICAGO – The new futuristic boxing film “Real Steel” rocked and socked its way to the box office crown this weekend, dethroning last week’s winner, “Dolphin Tale.” The new film, starring Hugh Jackman, brought in an estimated $27.3 million.

CHICAGO – John Carpenter’s “The Ward” would make for a satisfying episode of the now-canceled “Masters of Horror” and might therefore be an interesting rental someday but it doesn’t live up to the pedigree of its once-brilliant director and ultimately disappoints regardless of the name above the title. After a decade away from the big screen, Carpenter proves he still has his legendary skill with tension and the film features a few strong performances but the script is a generic, derivative mess.

CHICAGO – Our younger readers may find it hard to believe that John Carpenter was once one of the most inspiring filmmakers in the world. He’s still one of the truly influential voices of the ’70s and ’80s despite the tragedy that has been his career for the last couple decades. Save for the occasional flare-up (“Masters of Horror: Cigarette Burns,” “In the Mouth of Madness”), Carpenter’s work has barely resembled his prime. For proof, check out the still-amazing and timeless “Escape From New York,” now available on Blu-ray for the first time.

CHICAGO – Thrillers set in a frigid landscape are nothing new. Just look at “The Thing,” or “The Shining,” or heck, even “The Empire Strikes Back.” Like outer space, a frozen wasteland is an efficiently isolated location where there’s little hope of escape from whatever malevolent forces lurk there. In the case of “Whiteout,” the malevolent forces are the filmmakers and the helpless victims are us.