Timothée Chalamet

CHICAGO – One of the most fulfilled movies of 2017 was the sublime “Lady Bird,” the major film debut of actor Greta Gerwig. Nimbly shooting her own script, the achingly honest story about a teenager (portrayed essentially by Saiorse Ronan) going through her Senior Year of high school in Sacramento, California, was a breakout film of the year, and was nominated for Best Picture, as well as Best Actress for Ronan, Best Supporting Actress for Laurie Metcalfe (as the Ronan character’s mother) and Best Original Screenplay/Best Director for Greta Gerwig.

CHICAGO – “Hostiles” is an exercise in prestige western boredom. It’s competently made, but its as lifeless as a scalped corpse on the prairie. It’s long on pretty western locales and impressive facial hair, but short on story, characters, or much of anything else to help keep your eyelids from closing.

CHICAGO – The character actor Michael Stuhlbarg is one of the more complete players in today’s show business. His embrace of a role is absolute, and his characters ring with a particular poetry based on his interpretations. His latest role is of an academic and father in the new film, “Call Me By Your Name.”

CHICAGO – In one of the best American films of 2017, Greta Gerwig went behind the camera to write and direct an autobiographical overview of her Senior Year in high school, within a directionless town and family. The result is enlightening truth, told with laugh-out-loud directness and connective empathy. The film is a total winner.