Film Reviews

Rating: 3.0/5.0

CHICAGO – Opening this weekend at Chicago’s Facets Cinematheque after a week on VOD is “Starred Up,” a bloody-knuckles British prison drama that was also a favorite at the most recent Chicago Critics Film Festival. This is an at-times beastly movie that follows in the line of previous character-driven jail films like “Chopper” (starring Eric Bana), or Tom Hardy’s raging breakout movie “Bronson”.

Rating: 2.5/5.0

CHICAGO – One thing that struck me about writer/director Joe Swanberg’s previous “Drinking Buddies,” and made it one of my more celebrated from 2013 despite not really loving it as a film, was its importance to those good ol’ independent movies. Here were big flashy stars like Olivia Wilde and Anna Kendrick, not just acting in a movie of a lower budget, but creating a wider appeal out of a previously very niche aspect, without the film form itself changing much.

Rating: 3.0/5.0

CHICAGO –There is a profound interest in impulse within the work of Australian filmmaker David Michod, whose number of features finally reaches two with his anticipated followup to “Animal Kingdom,” “The Rover.” Even his co-writing work for Joseph Gordon-Levitt’s life-crasher movie “Hesher” is indicative of a storytelling force jazzed by that which is abrupt and unexplainable, and without worry of how polarizing these weirdo choices may be.

Rating: 4.0/5.0

CHICAGO – Just in time for a national holiday is the release of two films about surviving as “the outsider” in a tumultuous American society. “X-Men: Days of Future Past” isn’t the only movie that opines about how the outsider will survive in America, but James Gray’s “The Immigrant” does too, a film that takes the story of a Polish woman traveling through the course of Ellis Island and deconstructs her tale as an American nightmare.

Rating: 2.5/5.0

CHICAGO – By the time of his 2011 box office blitzkrieg otherwise known as “Cowboys & Aliens,” the product that indie director-turned-Hollywood habitue Jon Favreau had been hocking as a “popcorn salesman” had gone stale – to use a showbiz term from Nicholas Ray’s” In A Lonely Place.”

Rating: 1.5/5.0

CHICAGO – Liberty is a concept expressed only in irony with “Moms’ Night Out,” a female-driven minivan comedy that instructs ultimately to listen to thy husband for it is Biblical, even if thy husband is a child himself. Like sad Mitt Romney and his chocolate milk, this PG-romp is a brief walk on the wild side from the rules that await at the end of the night.

Rating: 3.5/5.0

CHICAGO – The de facto dazzle of isolated survival movies, regardless of their special effects, comes from pulling off their most impressive practical stunt: envisioning yet deconstructing high stakes drama with alternative spare plot resources, while featuring only a few on-screen characters, if even more than two.

Rating: 3.0/5.0

CHICAGO – Before earning Oscar nom validation for his “Philomena” screenplay last year, British comedian Steve Coogan led a separate life as Alan Partridge, a dopey media personality who symbolized the danger of empowering clowns like him with a microphone, whether on a news program, a late night show, or in a radio booth.

Rating: 3.0/5.0

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Rating: 4.0/5.0

CHICAGO – This week in movies about men we have “Joe”, a wild drama about Texas males at their most primal. It is the newest film from director David Gordon Green, and features Nicolas Cage in some of his finest work.