Florence Pugh

The Holidays Are Granted in ‘Puss in Boots: The Last Wish’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The Shrek franchise, which had been showing signs of creative exhaustion dating all the way back to “Shrek The Third,” gets an unexpected dose of new life with this belated – and better than it has any right to be – sequel “Puss In Boots: The Last Wish,” focusing on the swashbuckling feline (voice of Antonio Banderas).

Dynamic Florence Pugh Captivates in ‘Don’t Worry Darling’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A sure hand behind the camera and a dynamic performance from Florence Pugh help “Don’t Worry Darling” pull off an extremely difficult balancing act. This isn’t a perfect movie by any stretch of the imagination, but it inspires the kind of impressions and ideas that you will still be talking about a week later.

Fists of Feminism! On-Air Review of ‘Black Widow’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 8th, 2021, reviewing the latest film in the Marvel Cinematic Universe, “Black Widow,” in theaters and streaming on Disney+ Premium Access on July 9th.

Mind-Blowing ‘Midsommar’ is Disturbing and Beautiful

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Midsommar” is beautifully composed, disturbing in nature and very very Swedish. Writer/Director Ari Aster creates a stunning sophomore effort (after his brilliant debut “Hereditary”) that is pure cinema, and weaves a fantastical tale of humanity stripped to its bare bones. It moves a bit slow, but it also builds to something completely original and unexpected.

Strong Performance Makes ‘Lady Macbeth’ a Cogent Character Study

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Separating a performance from the rest of the film is usually an easy task. One may be stronger than the other, or vice versa, but either way, they can be judged individually and as a whole. “Lady Macbeth” proves to be that rare character study where a single performance (from breakout actress Florence Pugh) not only makes the film but essentially is the film.

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