James Wan

Horror is Worth a Visit in 'Annabelle Comes Home'

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There is such an unnerving quality to older dolls, which is why they lend themselves so perfectly to horror stories. There’s just an unsettling feeling when looking at their static expression, usually plastered with a permanent smile that gives me terrible flashbacks to when I worked retail. Oddly enough, “Annabelle Comes Home” similarly elicits familiar feelings of terror but channels it through an 80’s horror homage.

‘Aquaman’ is a Watery Sleep with the Fishes

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The dripping sound of water you will hear this upcoming weekend will be the tears of DC Comics fans, as they cry from frustration over the latest cinema hit job on one of the Super-Friends. The tepid and overlong “Aquaman” is another hero movie that tries to combine origin story and “first case” adventure, and fails at both.

Relentlessly Action-Packed ‘Furious 7’ Actually Has a Story, Too

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I’ve never classified myself as a “Fast & Furious” franchise fan. Nor have I been a hater. I’ve fallen somewhere in between – willingly watching the popcorn flicks but then quickly going about my life as fast as the furious action ended. Until “Furious 7”…

Wham Bam Pass the Popcorn, Man For ‘Furious 7’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The “Fast & Furious” franchise of films has probably one of the strangest evolutions in action history. What began as a rebellious street race movie, has morphed into a sort of superhero saga. “Furious 7” amps up that element of it, creating a mythic and magical “Kingdom of F&F Cars.”

‘Saw’ Creators Fall Just Short of True Scares With ‘Insidious’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I have written over a thousand reviews and have rarely been as conflicted as I am about my response to James Wan’s “Insidious.” It comes down to this question — do you judge the effort or the execution?

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