Melanie Lynskey

Rating: 2.5/5.0

CHICAGO – One thing that struck me about writer/director Joe Swanberg’s previous “Drinking Buddies,” and made it one of my more celebrated from 2013 despite not really loving it as a film, was its importance to those good ol’ independent movies. Here were big flashy stars like Olivia Wilde and Anna Kendrick, not just acting in a movie of a lower budget, but creating a wider appeal out of a previously very niche aspect, without the film form itself changing much.

Rating: 4.5/5.0

CHICAGO – Stephen Chbosky’s “The Perks of Being a Wallflower,” based on his hit book of the same name, is the most pleasant and accomplished surprise of the year, a delightful, sweet, funny, and moving examination of teenage life that merits comparison to John Hughes and Cameron Crowe.

Rating: 4.0/5.0

CHICAGO – Melanie Lynskey is one of those effortlessly sublime character actresses who always seemed destined for stardom. At age 16, she made an astonishing film debut in Peter Jackson’s “Heavenly Creatures” opposite Kate Winslet. In the years that followed, she has proven adept at playing everything from a good-hearted stepsister (in “Ever After”) to a severely screwed-up mom (in “Win Win”).

Rating: 2.0/5.0

CHICAGO – Lorene Scafaria’s “Seeking a Friend for the End of the World” is a manipulative mess that’s only slightly redeemed by yet-another engaging performance from one of the best actresses of her generation. Even the always-great Keira Knightley can’t hold back the deluge of clichés and false characters that drag this piece down into the kind of dreck that would be universally derided if it just had the name “Nicholas Sparks Presents” in front of it.

Rating: 5.0/5.0

CHICAGO – Writer/Director Thomas McCarthy makes films with that very unique attribute in which the characters completely feel like they exist before the opening scene and after the credits roll. As he did in “The Station Agent” and “The Visitor,” he has told another unique story that is both moving and also believable at the same time, an increasingly-rare combination. “Win Win” is the first great film of 2011.

Rating: 4.0/5.0

CHICAGO – Director Jason Reitman is becoming like a fine wine. He’s maturing with age, tasting newer with each sip and leaving an aftertaste that makes you think you’ll savor what’s next.