CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
Omari Hardwick
Like a Zombie, ‘Army of the Dead’ is Mindless, Sometimes Fun
Submitted by JonHC on May 24, 2021 - 12:23pm- Ana de la Reguera
- Army of the Dead
- Dave Bautista
- Dawn of the Dead
- Ella Purnell
- Film Review
- George Romero
- Hiroyuki Sanada
- HollywoodChicago.com
- HollywoodChicago.com Content
- Jon Espino
- Movie Review
- Netflix
- Nora Arnezeder
- Omari Hardwick
- Raúl Castillo
- Sarah Polley
- Snyder Cut
- Theo Rossi
- Tig Notaro
- Zack Snyder
- zombie movie
Rating: 2.5/5.0 |
CHICAGO – If you’ve ever worked retail or in the service industry, you’re aware of the mental and physical state lovingly known as “Cruise Control”. That’s when the crippling monotony of everyday life forces our body into a sort of energy-saver setting that is meant to keep us from having psychotic mental breaks on a semi-regular basis. A sort-of zombie mode, if you will.
Ava DuVernay’s ‘Middle of Nowhere’ Resonates by Valuing Truth Over Melodrama
Submitted by BrianTT on October 18, 2012 - 2:58pmRating: 4.0/5.0 |
CHICAGO – Ava DuVernay’s Sundance award-winning drama “Middle of Nowhere” is a confident, engaging drama strengthened by genuine, moving performances, particularly the stunningly good one at its center from Emayatzy Corinealdi. The movie sometimes falters due to some melodramatic, on-the-nose dialogue, but there’s an honesty, compassion, and genuine quality here that’s too often missing from adult dramas. It’s a striking debut.
Cluttered, Melodramatic ‘For Colored Girls’ Never Comes Together
Submitted by BrianTT on November 5, 2010 - 8:20amRating: 2.5/5.0 |
CHICAGO – Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf” was a landmark event in 1974, giving voice to a segment of society rarely seen on the stage. It took 34 years for a filmmaker to tackle this remarkable work in film form and Tyler Perry’s “For Colored Girls” retains some of the inherent power of it source and features some strong performances in the process but never finds the narrative cohesion needed to translate it to modern movie audiences.