Open Road Films (II)

Rating: 2.0/5.0

CHICAGO – Anyone showing up to the “The Nut Job 2: Nutty By Nature” will know exactly what they’re going to get… it’s a late summer sequel to an animated movie you may be surprised was successful enough to warrant a sequel at all, much less a theatrically released one.

Rating: 4.0/5.0

CHICAGO – The experience of director Oliver Stone, to look underneath the slimy rocks of government secrecy and bureaucracy, produces an excellent history lesson in “Snowden,” an overview of Edward Snowden, a whistleblower against the government who is still in exile.

Rating: 4.0/5.0

CHICAGO – “Spotlight” is a movie which aspires to greatness and oftentimes just about gets there. It’s a movie that is thoroughly confident that the process of journalism and a great story provides all the excitement it needs to grab an audience’s attention. And what a great story it is.

Rating: 1.5/5.0

CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.

Rating: 4.0/5.0

CHICAGO – If you’re lucky enough, you’ll never know what it’s like to grow up in a poor American neighborhood. But what if the notions of such societies are flipped on its ear, and what if the message draws attention to our current perceptions of race? This is what the new film “Dope” conveys.

Rating: 4.5/5.0

CHICAGO – This film can be defined as “Network” meets Norman Bates, but it also exposes virtually all our modern sins, in a chilling story about a loser who spouts business self help while taping bloody crimes that sell on the morning news. Jake Gyllenhaal is the “Nightcrawler.”

Rating: 2.5/5.0

CHICAGO – Sylvester Stallone is a difficult man to comprehend, unless if doing a thesis on male menopause. The one time screenwriter of gritty soul pictures like “Rocky,” “Paradise Alley” and “First Blood” is spending his later years pumping out undistinguished boom-boom pictures like “Homefront.”

Rating: 3.5/5.0

CHICAGO – You gotta love director Robert Rodriguez. When other filmmakers are slogging through their important films, he’s out convincing big stars to blow off cinematic fireworks, giggling all the time. The excess is the thing, more so and more so, in his new film “Machete Kills.”