Wes Bentley

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Spectacular ‘The Hunger Games’ Lives Up to High Expectations

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Gary Ross’ “The Hunger Games” is a spectacular piece of blockbuster entertainment, a movie that should connect across all demographics from those who have never heard of the book to those who have shrines to Katniss and Peeta in their closets. It is more than mere Hollywood adaptation, it is a work of art on multiple levels with fantastic technical elements and some of the best performances in a work of science fiction in years.

Avenging Pursuit Motivates Amanda Seyfried in ‘Gone’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The premise of “Gone” is a beguiling notion. What if the victim of a traumatic crime can’t get authorities to believe her? The evidence doesn’t add up, there are no physical signs of struggle and no crime scene is found. Amanda Seyfried plays such a victim, and her very sanity is questioned.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker