Will Ferrell

Rating: 3.5/5.0

Comedy sequels are SO rarely worthwhile. Most good comedy is dependent on being fresh, new, and unpredictable – words not commonly uses to describe sequels. For every “Wayne’s World 2,” there are a dozen films of the caliber of “Ghostbusters 2,” “Arthur 2,” and “Caddyshack II” – movies that are so bad that they almost diminish the legacy of their predecessors.

Rating: 4.0/5.0

CHICAGO – Will Ferrell makes five new proclamations loud and clear: he’s a comic dream-team duo with Zach Galifianakis in “The Campaign,” punching a baby and then a dog are seriously funny, real-life politics should take a lesson from this over-the-top smear campaign, you need one supporting Korean weapon and there’s nearly no such thing as a 100% comedy that delivers on 100% of its comedy.

Rating: 3.5/5.0

CHICAGO – Will Ferrell can never be accused of sitting on his comic laurels, nor repeating himself. “Casa de mi Padre” is a complete set-in-Mexico Spanish language film, including Ferrell’s dialogue. Although uneven, it delivers such a peculiar vibe that it can’t help but be admired, at least for the effort.

Rating: 3.0/5.0

CHICAGO – The midnight movie show, popularized by “Rocky Horror,” always needs new candidates. The raunchy, hit-and-miss “Tim and Eric’s Billion Dollar Movie” is fresh midnight meat, stamped with “love” from Tim Heidecker and Eric Warheim of Cartoon Network’s Adult Swim (”Tom Goes to the Mayor”).

Rating: 3.5/5.0

CHICAGO – Alcohol mixed with the American Dream sometimes becomes a destructive chemistry. With every individual’s reaction to ethyl alcohol like a fingerprint, the general image of the party animal can easily morph into what John Cheever called “The Sorrows of Gin.” These sorrows are explored through Will Ferrell in “Everything Must Go.”

Rating: 3.0/5.0

CHICAGO – Being a super-villain is apparently going out of style as “Megamind” follows relatively quickly on the heels of “Despicable Me” and both tell the story of a bad guy realizing that it’s more fun to be good. The title character of “Megamind” (Will Ferrell) is a nefarious super-powered fellow who has just barely lost every fight he’s had with the beloved Metroman (Brad Pitt).

Rating: 4.0/5.0

CHICAGO – A great percentage of the population inevitably gets to the moment in their life when co-mingling becomes the next phase of interaction – the loss of virginity. Despite braggadocio to the contrary, for most people it is fraught with a bit of the undiscovered country. “The Virginity Hit” mines that territory with some cyber-age big brotherism thrown in.

Rating: 3.5/5.0

CHICAGO – While a cop film take-off is filed under the fish-in-a-barrel category, writer/director Adam McKay manages to spin some absurd gold threads into the thin blue cloth. In other words, Will Ferrell and Mark Wahlberg are damn funny in this all-in cop farce, with enough familiar co-star support to prop up the whole enchilada.

Rating: 1.0/5.0

CHICAGO – “Land of the Lost,” starring Will Ferrell, Danny McBride, and Anna Friel, is horribly conceived, almost entirely laugh-free, and with absolutely no personality of its own. It’s one of the most inert, dull, and dead-on-arrival major summer films in a very long time with no target audience likely to be satisfied by it.